If you actually had a copy of an original master tape, for example, and you played it on two different systems, lets say they are extreme high end, I bet that master tape would sound different on each to some degree even if you used the same reel to reel device. So, unless you were present at the actual recording and heard it with your own ears, would you really know how it sounded?
What exactly is colored sound?
I guess the definition would be a deviation from what what was originally intended but how do we really know what was originally intended anyway? I mean solid state mostly sounds like solid state. I guess that would be a coloration, push pull amps and set have their own colorations. It seems we try to denote certain definitions to either promote or dis certain sounds I guess. We could have a supposedly neutral amp but their just is not enough bass so we turn up the subwoofer or the bass, a coloration per se. I guess one could say that colored sound would be a good thing. after all, each instrument has its own sound (color). A mullard, a telefunken, I mean who knows what tubes were in the recording studios at the time of the recording. Syrupy, sweet, rich, NEUTRAL, forward, backward I mean really... I guess its all about certain preferences for each person. even in the studio. who knows, maybe a recording may be meant to sound syrupy or sweet and then we try to make it as neutral as possible. Maybe thats a coloration in itself. I guess what I am asking is why do reviewers use the word colored in reviews anyway?
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- 56 posts total
- 56 posts total