You can still get some signal resolution above 20 bits by dithering the 24 bit digital signal when converting to 20 bit. Dithering is much preferred to just truncating the least significant bits. Dithering adds random noise to the signal and raises the S/N but it will preserve some signal below the LSB. Studios do this all the time when taking 24 bit Masters and producing a 16 bit CD.
I think Schiit are using the same logic as Meridan in saying that the last 3 bits on 24 bits is just noise (below current analog dynamic range resolution which is about 21 bit equivalent). This is true on a full scale signal. However a good recording may not use all full scale 24 bits so the last 4 bits could very well be within analog performance range and it is bad design to say we just throw them away. Also dithering is a form of processing and compression and just like with lossy audio and photo compression - some algorithms are bettter then others.
Do do you trust your DAC manufacturer to process and massage the incoming 24 bit audio and throw away 4 bits or do you prefer to hear what the studio mastering engineer carefully produced?
I think Schiit are using the same logic as Meridan in saying that the last 3 bits on 24 bits is just noise (below current analog dynamic range resolution which is about 21 bit equivalent). This is true on a full scale signal. However a good recording may not use all full scale 24 bits so the last 4 bits could very well be within analog performance range and it is bad design to say we just throw them away. Also dithering is a form of processing and compression and just like with lossy audio and photo compression - some algorithms are bettter then others.
Do do you trust your DAC manufacturer to process and massage the incoming 24 bit audio and throw away 4 bits or do you prefer to hear what the studio mastering engineer carefully produced?