The Hurricane is of a different league compared to the NRG-1000. The thing what I will aks AQ today is what the material of the new plugs is.
Because this cannot be found. I think it will be similar compared to the 1000 plugs like the ones of the NRG-1000. These are silver plated
(over pure red copper)
You need to be aware of the DNA of each product before you are able to us them maximum. The AMT tweeter (totally different than a ribbon tweeter) needs the right cables and equipment.
The facts proof that most people have no idea and all made the same mistakes. The shows proved these mistakes. And I saw often the same kind of mistakes on photos. This proves over and over again that people have no idea about properties. Because when they would have understand this, they would never had made those faults.
I visited different 800D3 demoes. The facts proof that they are still 2D. We will give demoes in 2018 and will proof that they are 2D. My 800S had the same limitations. As the 800D1 and 800D2 had. These are properties no one can change until B&W will hire new people who can create better crossovers and faster materials.
For example: Playing Miles Davis on the 800D3 proved that Miles was nog standing 2 metres behind the front line. Beside this the trumpet was on the same height of the tweeter. What proves that the speaker cannot create diversity in height.
We create a superior level in stage depth, width and height. This makes music a totally different experience. It only can be created when you understand all the properties each part in your system owns.
Trial and error is like audiogambling. I discussed this with several people who own an audio shop and all agreed. The sound and stage always proofs the truth and the quality of each audio system.
When the stage is wider, deeper and higher you will hear more details tangible and free for eachother. This makes a huge difference compared to any stage what is more compressed. And the most common limitation at this moment is the lack in diversity. At shows most demoes proof that there is alsmost no diversity (layering) in sound.
When you would have known how voices and instruments can create diversity you would be aware of what you do wrong. That is why we will use real voices and instruments to proof that music is 3D and that it is very tangible and direct/ And that you can hear many layers.
We want all people to get closer to the truth and real music. I can garantee for 100% that each single person will prefer it. We have done this hundreds of times and the results are always the same.
The best and most convincing sound and stage will always be choosen!
Because this cannot be found. I think it will be similar compared to the 1000 plugs like the ones of the NRG-1000. These are silver plated
(over pure red copper)
You need to be aware of the DNA of each product before you are able to us them maximum. The AMT tweeter (totally different than a ribbon tweeter) needs the right cables and equipment.
The facts proof that most people have no idea and all made the same mistakes. The shows proved these mistakes. And I saw often the same kind of mistakes on photos. This proves over and over again that people have no idea about properties. Because when they would have understand this, they would never had made those faults.
I visited different 800D3 demoes. The facts proof that they are still 2D. We will give demoes in 2018 and will proof that they are 2D. My 800S had the same limitations. As the 800D1 and 800D2 had. These are properties no one can change until B&W will hire new people who can create better crossovers and faster materials.
For example: Playing Miles Davis on the 800D3 proved that Miles was nog standing 2 metres behind the front line. Beside this the trumpet was on the same height of the tweeter. What proves that the speaker cannot create diversity in height.
We create a superior level in stage depth, width and height. This makes music a totally different experience. It only can be created when you understand all the properties each part in your system owns.
Trial and error is like audiogambling. I discussed this with several people who own an audio shop and all agreed. The sound and stage always proofs the truth and the quality of each audio system.
When the stage is wider, deeper and higher you will hear more details tangible and free for eachother. This makes a huge difference compared to any stage what is more compressed. And the most common limitation at this moment is the lack in diversity. At shows most demoes proof that there is alsmost no diversity (layering) in sound.
When you would have known how voices and instruments can create diversity you would be aware of what you do wrong. That is why we will use real voices and instruments to proof that music is 3D and that it is very tangible and direct/ And that you can hear many layers.
We want all people to get closer to the truth and real music. I can garantee for 100% that each single person will prefer it. We have done this hundreds of times and the results are always the same.
The best and most convincing sound and stage will always be choosen!