A nice discussion of reviewers priorities.


I was wondering from anyone that has followed a reviewer if you could tell me of ones that prioritizes what I do? 
I value the artistic expression of music. So I presume micro details that are presented in a natural way are important in that regard. For example I know I get caught up in how a note on a guitar is played differently by diffeent musicians on different guitars, even how the individual strings are played either by themselves or in a chord. The different tension and how long a note is held, whether it is hammered or picked.  Maybe it is because I play that instrument.
Also the closer it sounds to the real event is nice. What I mean by that is that everything coming over my system needs to fit timing wise and timbre wise for me to connect to it. Those are valued details that don't get lost on me.
One thing that is low on my priority list is soundstaging or imaging.  I don't pay much attention to that.
I hope this lends itself to a nice discussion that we all benefit from.
I figure I can benefit a little more from the reviewers that I am more inline with, and l hope you would also.
Please if you are real familiar with a reviewer share your thoughts.
Thank you
marqmike
Reviews without accurate measurements from an Audio Precision or dScope vel sim. audio analyser are meaningsless.
I don't necessarily fully agree with willemj.  Measurements can be used as a tool to help understand a device.  However, measurements really do not dictate how the device will sound.  I do agree that equipment reviews are usually useless because they are all trying to describe good points about the piece of equipment.  Probably the most useful reviews or posts are description of how one piece of equipment sounds different from another piece of equipment.  This helps with a "baseline" to compare from and helps drive you towards the right choice.
But a frequency response curve (under real load in case of an amp) and some distortion measurements would help, as would an impedance curve to decide how hard to drive a speaker will be.
I would say that you would probably like reviews by Alan Sircom. He seems to view the sound of a component through the eyes  (and ears) of one who appreciates the nuances of artistic expression as well as the  overall gestalt of a components sound.