MONO cartridge recommendation

I as of recent had also been thinking about a mono cartridge for Beatles and vintage lps. Before I decided to drop down any money it dawned on me I had a Grado 78 cartridge laying around. The next thing I did was grab my paratrace stylus off my gold 1 and threw it on the 78 mono cartridge. The sound is as expected warm of neutral but very clean and cohesive with a nice bass.

 I'm not sure if this really helps but maybe a Grado mono perhaps with an upgraded stylus if needed like the 8mz or better. But then again I have no experience with any other mono cartridges I just like tweeked Grados.

All the best
JP.

If i will need a Mono cartridge then Miyajima would be my first buy. 

There are very few true single coil mono cartidges available.   The vast majority of current mono cartridges are in fact stereo cartridges modified for mono reproduction.   

Decco London is an outlier in that their stereo cartidge is derived from their mono design !!  Sounds strange, I know, but it is documented in several places on the 'net.

Mono cartridges will sound different, based upon construction. A true mono cartridge generates signal from horizontal motion, only. A stereo cartridge modified to become a mono cartridge will still respond to vertical motion. Why is this an important distinction ? Even though a modified cartridge is supposed to suppress vertical signal by summing, bridging, coil alignment, etc it is still there. Unfortunately the existence of the vertical signal introduces phase anomalies that are audible. It is easier and cheaper to adapt a stereo cartridge than to construct a true mono cartridge, which why there are very few.

At the low end there are the Denon DL102 and the AT3 mono.  Anything better costs considerably more. Some listeners swear by vintage Fairchild and ESL mono cartridges, that are more than 50yrs old. However there are a few specialists that can rebuild them.  Cost of a vintage true mono cartridge is abt $200-300 in the current market.   Rebuld cost is about $300-$500.   Total investment would be about $500-$800.

i use the Ortrofon CG25 DI MK2.   This is an updated version of their first MC mono cartridge.   1mil conical stylus, tracks at about 3 grams, and comes as an integral cartridge headshill designed to attach to an SME terminated arm.   List price is about $900 but no one pays list....and you can fnd it from several japanese on line sellers.   I have 2 TT and use one for pre 1960 mono LPs.  I play all 60's era and later reissue mono LPs on my stereo TT.    

Works for me.   Your opinion and experience may be different.   

My mono cartridges are Lyra Dorian Mono, Audio Technica AT33 mono and Shelter 501 mono. My understanding is that these are "true mono" cartridges in that they only respond to horizontal stylus movement, although the styluses are still vertically compliant. The Shelter is a single coil while the Lyra and AT33 are dual coil, which should reduce the tendency to hum.

I previously owned an Ortofon Quintet mono, which I believe is a strapped stereo cartridge (similarly to the other Ortofon cartridges), although Ortofon do describe all of their cartridges as "true mono".

From information I have gained reading various forums over the years (particularly from Steve Hoffman), it appears that:

- After 1968 most mono issues were pressed from stereo cutting heads and it is virtually certain that this is true for most recent mono reissues (such as the Beatles LPs)
- Using a mono cartridge on LPs cut from stereo cutting heads will generally sound worse than using a stereo cartridge, since there will be some loss of high frequency information. If you have a mono switch (or a Y-cable arrangement) you can tell when an LP was cut from a stereo cutting head since engaging the switch (or Y cable) will result in some loss of HF. If there is no difference, you can use a mono cartridge and there will be the usual benefits of lower noise and wider soundstage.
- The benefits of a mono cartridge will only be heard with pre-1968 mono records, and this will depend also to some extent on the stylus dimensions and the equalisation curve used.

For these reasons I only use my mono carts on older LPs that I know were cut on mono equipment - pre-60s and earlier. For recent mono reissues I use a stereo cartridge.

If I have got any of the above wrong, please feel free to correct me.

rossb, You've certainly thrown a monkey wrench into the discussion, if what you say is true. Can you cite some sources to support the idea that a mono LP derived using a stereo cutting head will react differently from a "pre-1968" or true mono LP (to take your own cut-off date), to the use of a mono cartridge? And what about modern mono re-issues of recordings that were made in mono back in the early 50s?  (So the reproduction chain is: mono master tape to stereo cutting head to mono LP.) There's a lot of those around and more coming available every day. Presumably, the mono signal after a stereo cutting head is re-derived by re-combining the stereo channels, which are actually identical to each other.

You're correct, incidentally, about the Ortofon Quintet.  The Ortofon website uses a lot of double -talk to make the reader think their mono cartridges are "true mono", but in most cases that ain't so.