lewm, as I mentioned, the information I provided was based on reading from a number of forums over the years. There are quite a number of discussions of mono recordings on the Steve Hoffman forums (as there are here) and Steve (who is probably as knowledgeable as anyone on this subject) has made some comments from which I have derived most of this information, so I suggest you do a search of that forum.
folkfreak, thanks for those links. I wasn't aware that ERC used a mono cutter, nor was I aware that Coup d'archet use a stereo cutter, even though I own the Johanna Martzy set from Coup d'archet that is the subject of the review. It therefore makes sense to listen to this reissue with a stereo cartridge.
It's interesting that although discussions of mono cartridges and mono recordings come up frequently, they almost inevitably lead to more confusion than clarity. I don't claim to be an expert, so if anyone has any better information, I for one would certainly appreciate it.
folkfreak, thanks for those links. I wasn't aware that ERC used a mono cutter, nor was I aware that Coup d'archet use a stereo cutter, even though I own the Johanna Martzy set from Coup d'archet that is the subject of the review. It therefore makes sense to listen to this reissue with a stereo cartridge.
It's interesting that although discussions of mono cartridges and mono recordings come up frequently, they almost inevitably lead to more confusion than clarity. I don't claim to be an expert, so if anyone has any better information, I for one would certainly appreciate it.