This is a bit of an Oxford Entrance Exam question, but IMHO and in short:
1. Drive mechanism - affects timing fundamentally - the amount of vibration transferred into the playback and indeed the type/cycle of vibration;
2. Platter - channeling of resonances from the record - also relevant to speed stability and is fundamentally linked to drive mechanism
3. Plinth/suspension - again vibrations both from the record, platter, bearing, and room born
4. the arm - energy transference from cartridge; cartridge match; resonance control
It is arguable that almost everything has an affect on the performance between decks. Just compare the various Linn Sondeks which have seen generations of change - new top deck; bearing; motor, and power supplies. For instance some arms are too heavy for the suspension on the LP12.
What is more interesting is when you have two totally different decks that sound almost the same - but I guess that brings around another whole new topic of discussion ;)
I have pondered whether or not all decks should all aspire to have the same sound, but I think being neutral and altogether accurate is an impossible ideal - why you ask? Well a full rock band, let alone an orchestra can fit in the average persons living room - so how can we expect all-together accurate replay of that very thing?
1. Drive mechanism - affects timing fundamentally - the amount of vibration transferred into the playback and indeed the type/cycle of vibration;
2. Platter - channeling of resonances from the record - also relevant to speed stability and is fundamentally linked to drive mechanism
3. Plinth/suspension - again vibrations both from the record, platter, bearing, and room born
4. the arm - energy transference from cartridge; cartridge match; resonance control
It is arguable that almost everything has an affect on the performance between decks. Just compare the various Linn Sondeks which have seen generations of change - new top deck; bearing; motor, and power supplies. For instance some arms are too heavy for the suspension on the LP12.
What is more interesting is when you have two totally different decks that sound almost the same - but I guess that brings around another whole new topic of discussion ;)
I have pondered whether or not all decks should all aspire to have the same sound, but I think being neutral and altogether accurate is an impossible ideal - why you ask? Well a full rock band, let alone an orchestra can fit in the average persons living room - so how can we expect all-together accurate replay of that very thing?