Soundstage and explosive dynamics?


I’m looking high and low for speakers with the following attributes:

1. Wide and deep soundstage. Speakers can disappear from the soundstage.
2. Decent imaging.
3. Explosive dynamics with force and surprise.
4. Costs less than $10k.

madavid0
Explosive and dynamic sound has a lot to do with the room acoustics and how loud your amplifier can drive the speakers without distortion. I know this may sound heresy but any speaker costing more than $2000 should sound real good if paired with a great amplifier.
Hi, I’m looking forward to your findings. Wish #4 , certainly throws a huge curve ball ! Anyway , I heard a friends system, Westlake BBSM-15’s bi amped with a pair of Bryston 4BSST’s . He picked up an almost dead pair from a studio that had shut down . They were flat black . He refinished the cabinets and had the ( JBL ) drivers rebuilt at Orange County speaker . To me the older big JBL studios sound better than the new stuff. You will need a lot of power and some room treatment too . I saw Supertramp play at a restored theatre in Fresno when they first toured . They played “ Crime of the Century “ just like the album . I’ve been trying to capture that sound ever since! There is a guy named “ Chip “, he is on EBay as “ Rumdog”. He’s an old school JBL fanatic. He runs the 44XX series bi amped . Last year he was selling some Everest . He offered me a pair of JBL L 300’s restored for $5k. I’m at 559 392-5209. Text me for his number . He loves to talk and he is a wealth of knowledge . As far as trying you meet all your criteria, I started like you, and now my JBL’s are in the closet ( not for sale ). But to get it all and have the beautiful audiophile smoothness , Big System and Big Bucks . So on a budget , restored JBL , bi amped with a tube mid/ upper and SS in class A/B or class D. Run an active crossover and use room correction . And please share your results . Thanks , and Happy Listening , Mike B.
Phased array powered concert speakers can sound better than ever if they're good ones…they vary, as does the ability of professional sound mixers (like me). Bad live sound is inexcusable but common. I think any good system can be "explosive and dynamic" in the proper space, and about 12,000 examples exist. I like relatively small main drivers for their specificity (?) paired with powered subs to help with the grunt for either home or live stuff, and although the live stuff I do is uncompressed (I hate compressors) and smaller venue, it still requires way more wattage than home gear (thousands of watts actually) for clarity. 
@buellrider97

Consider your journey to capture that sound forever is now over.

For a fact, Supertramp went on tour with their own gear - custom speakers using ATC drivers (same as Pink Floyd on tour, Genesis ’78 Trick of the Tail tour). All you need do is find some large ATC speakers with 12 or 15 inch woofers. I believe 12 inch (PA75-314) was what Supertramp and others used. High explosive levels with ultra low distortion. The studio version of that driver is even higher performance.