Zingali Overture series thumbs "up" or "down"

I heard the 3s with some recent monstrosities from Theta and Mark Levinson. There was a ''live'' feeling to the sound but it was no hi-end by any means. I cannot agree more with Honest1- a rare event that i share exactly the same experience for an audio piece. Actually, apart from the 'live' felling, auditioning the speaker for quite long,it became clear that there was a persisent character that altered the pitch of the music to an ultimately unbearable point. The lack of bass extension was also another noteworthy aspect of their sound. I cannot imagine that i could live with these speakers.

Monstrosities from Levinson? I dont understand .... What was driving the Zingalis when you heard them. By the way, of the VERY positive feedback I have rcvd on either the 2s or 4s ALL have said they dislike the 3s (which has a 6 1/2 vs 8" woofer that seems poorly matched). Thanks for the feedback. Happy listening. David

I purchased a pair of Overture S-4's only after a prolonged burn in period. On first connecting them in my system they were constipated and edgy, but after about one hundred hours the magic happened. The mids are the most natural I have experienced in my small (12 X 14 w/ 9' ceilings) well treated listening room, and the highs are magical.They also produce fast tuneful bass into the upper 20hz range. I found they match exceptionally well with tube electronics, and they are definately rewarding of quality equipment. Be careful with speaker cable choices. The very good Harmonic Tech PRO-9'S make them sound lifeless and listless. After experimenting Audience AU 24's seem the perfect match. Dynamics and detail are astounding and they never sound bright or forward. These are exceptional speakers.

Overture .4s is quite simply the best speaker I have ever heard. Ultra natural, gorgeous bass, and the most marvellously open midrange, totally box-free sound free of any coloration.
The ultimate test is piano - and through the Zingalis, Brahms's Variations and Fugue on a theme of Handel (Sheffield Lab) transports me into a recital room, positioned 20 feet from the instrument, indistinguishable from the real thing.
They are also remarkably free of any distortion, so that opera music that might generally struggle to remain defined and dynamic through all other speakers I have previously owned, is played effortlessly, and with natural highs and crescendoes that are creamy smooth yet not lacking punch.
I understand Zingalis fly with low powered valve amps. Yet I can't imagine it gets any better than my setup, and I'm feeding them with an Accuphase 406V that is rated 170 wpc. Front end is Michell turntable, Sumiko Pearwood cartridge, Plinius phono stage and Morch arm.
Clearly there are no hard and fast rules, and my dealer tells me they are unfussy of amplification.

I am set on Zingali Overture speakers for a new system (Audio Note Meishu integrated amp) and I'm debating on which model to go for. I heard the .3s and agree they were superb in the high and midrange but that bass left something to be desired, so leaning more toward .2s or .4s. My new listening room is small (12x14 or so), with 8 foot ceilings and a floating wood floor w/large area rug(s). Would the .4s potentially be "too much" in terms of boominess? The .2s are also more in my initial price range although I would pay more for the .4s if people feel there are significant advantages.