Age old discussion I know but MM or MC? Benefits?


Some mighty long discussions on this already here but I need a refresher!
Having decided to upgrage my phono amp to a Dynavector p75 mk3 I am now wondering about my cartridge.
At present I have a Clearaudio Emotion 4 table with a Clearaudio Artist v2 cartridge.
What are main difference between mm and mc that I could expect to actually hear?
And lomc and homc? What is all that about?
Sorry if this has been thrashed to death already but just trying to get a laymans understanding if possible.
128x128uberwaltz
As always Al, your posts are very inciseful and contain many words of wisdom, as do the vast majority of the post already in this thread and I am grateful for each and every reply and the time and effort that goes into them.
I was of the opinion that a very lomc might not be a good fit and that possibly a medium output as you state or even a homc. Or stick with mm...or try mi....
Yes I have lots of great information now but still unclear of future path.
But that is one that at least is much more informed for sure!
Maybe at my level the present cart is more than good enough....but we all know the itch to try greener pastures.

Agreed that you have to be the judge. Cart choice must fit into your system and produce a sound you like. Other people's opinions are just that. This is a subjective hobby. 

A lot of people will say that to truly hear what MC can do you need to spend $$$. I have heard anywhere from 2000k to 3000k. For me that is a lot to spend on a cart that cost near the same price to re-tip and at some point will completely fail. 

I have heard MC up to about 1500 bucks and was not overly impressed. I prefer the Soundsmith carts sound and the their economics of re-tip. 

Also surprised you have not read that your phono stage was specifically developed with a circuit to work with the 20x dyanvector. People say with the enhancer circuit and the 20x you get a lot of performance for the dollar.  
@uberwaltz

MM are great, cost less, gives more and you can look for the top carts mentioned by many users in the dedicated thread. No one knows which MM or MI would be the best in your system and it’s about personal preferences in sound. But the potential of vintage MM is huge, prices are real compared to MC. It’s always nice to get rid of all additional cables, suts, headamps etc, just to connect your MM to the phono stage to get the decent loud sound. Rare vintage MM cartridges will give you neutrial presentation much closer to the mastertape than most of the MC. The option with 100k load is also very nice to improve the sound quality.

MC cartridges are also good (often colored), but normally more expensive if you will get in count the price of the sut, headamps or high gain phono stages. They are more sensitive to cables, because the signal is so low. In the other words you can spend a lot to realize at the end of the day that your vintage MM is still better.

High Output MC are also not bad, i have at lest 2 of them.
I have MI cartridges as well and even very low output MM cartridge.

I was so disappointed with the very expensive modern MC cartridges, the prices are crazy and i can’s stand it, still can be fine for some people, but i don’t believe in the absolute cartridge, it’s always experiment, you never know.

I would avoid oldschool cartridges, conical tips and those broadcast denon 103 madness. MM cartridges from the 70s/80s are superior to the modern MM cartridges and of cource much better that oldschool MC carts.

It’s nice to have an alternative in the system (at least two tonearms with different types of cartridges). It is so much fun and always potential to find a better cartridge if you can compare them carefully.
Dear @uberwaltz:  """  so I am curious as to what I am missing if anything  """

of course that you are missing several " things " but not because you have not a LOMC cartridge.

Your today cartridge is an entry level MM one that is builded by AT and is designed to a specific price point, so there are significant quality performance levels as trade-offs vs its price.

If I was you what I do is to go for a way better MM alternative before think in a LOMC cartridge that could outperforms your MM up-grade.

In the other side your main listening is through digital ( good for this. ) that means your analog software is a poor one: how many thousands of LPs do you own that can justify a really good LOMC cartridge?

Maybe it's better to invest in a better digital source or digital software than in LOMC.

Fortunatelly I'm not you.

Btw, the kind of music you listen is not important when we are looking for a cartridge because if your choice is a good alternative/option then one of its characteristics must be to handle with high quality levels any kind of music ( either: MM/LOMC. )

Regards and enjoy the MUSIC NOT DISTORTIONS,
R.
Out of interest @chakster which cartridges do you call the vintage MM's?
@lewm REG may well be an MM fan - it's is essentially a perspective, my point was that it is equally valid. Tom Fletcher of Nottingham Analogue was another well known proponent of the MM. 
There are also some interesting hybrids such as the MMC as designed by Bang and Olufsen (yes of lifestyle fame now I know) but they were designed ground up with a parallel tracking arm in mind with exceptionally small and dexterous stylus tips.