Age old discussion I know but MM or MC? Benefits?


Some mighty long discussions on this already here but I need a refresher!
Having decided to upgrage my phono amp to a Dynavector p75 mk3 I am now wondering about my cartridge.
At present I have a Clearaudio Emotion 4 table with a Clearaudio Artist v2 cartridge.
What are main difference between mm and mc that I could expect to actually hear?
And lomc and homc? What is all that about?
Sorry if this has been thrashed to death already but just trying to get a laymans understanding if possible.
128x128uberwaltz
Dear @uberwaltz:  """  so I am curious as to what I am missing if anything  """

of course that you are missing several " things " but not because you have not a LOMC cartridge.

Your today cartridge is an entry level MM one that is builded by AT and is designed to a specific price point, so there are significant quality performance levels as trade-offs vs its price.

If I was you what I do is to go for a way better MM alternative before think in a LOMC cartridge that could outperforms your MM up-grade.

In the other side your main listening is through digital ( good for this. ) that means your analog software is a poor one: how many thousands of LPs do you own that can justify a really good LOMC cartridge?

Maybe it's better to invest in a better digital source or digital software than in LOMC.

Fortunatelly I'm not you.

Btw, the kind of music you listen is not important when we are looking for a cartridge because if your choice is a good alternative/option then one of its characteristics must be to handle with high quality levels any kind of music ( either: MM/LOMC. )

Regards and enjoy the MUSIC NOT DISTORTIONS,
R.
Out of interest @chakster which cartridges do you call the vintage MM's?
@lewm REG may well be an MM fan - it's is essentially a perspective, my point was that it is equally valid. Tom Fletcher of Nottingham Analogue was another well known proponent of the MM. 
There are also some interesting hybrids such as the MMC as designed by Bang and Olufsen (yes of lifestyle fame now I know) but they were designed ground up with a parallel tracking arm in mind with exceptionally small and dexterous stylus tips. 
@lohanimal 
Out of interest @chakster which cartridges do you call the vintage MM's?

I'm talking about top MM cartridges from the 70s/80s era, from various brands such as Audio-Technica, Stanton, Pioneer, Glanz, Grado, Grace, Victor ... Most of them are RARE today, but still not expensive compared to modern MC. Those vintage MMs are hard to beat at any price, but i'm talking about specific models, not all of them are interesting. 
Well I pulled the trigger and bought the Nottingham Spacedeck cw Spacearm and a nearly new Shelter 501 mk3 mc cartridge. This is apparently a medium voltage cart at 0.5mv and was reportedly a good match on the arm but obviously in my system we will have to see.
Cant wait.....
Great. Yes, the Shelter is liked by many with Nottinghams. If you have questions regarding the set-up you might want to talk to Larry from Hollywood Sound, he knows Nottinghams and I think the only distributor/dealer in the US. He also likes MC cartridges. You will probably want to use original Nottingham oil that he should have, though you could get it cheaper from the UK dealers. Belt lasts a long time but still you may want a new one. And of course you will need a record mat to replace the stock. Most people prefer Boston Audio graphite mat, but the company is no more so it's difficult to find. I am sure you read the Nottingham threads on Audiogon, see what alternatives are there. Also, as I remember, just about everyone used one of the three isolation platforms under Spacedecks - 2"-3" maple block, Symposium or Neuance (no longer made) but you can start with the platform it comes with. I use 3" maple block with Boston Audio tuneblocks under it.