A few observations from the OP of this thread:
(1) My McIntosh 275 VI has been measured at 90 watts, and has more than adequate current to drive the Wilson WP7 speakers that I own;
(2) I would like to thank the fellow from the Audio Connection who I talked to about speaker choices - thank-you so much for talking with me in an intelligent manner - it was extremely useful!
(3) I have demoed the following loudspeakers in my newly designed 307 sq ft listening room, and here are my observations:
Thank-you for all of your help - Gerry
(1) My McIntosh 275 VI has been measured at 90 watts, and has more than adequate current to drive the Wilson WP7 speakers that I own;
(2) I would like to thank the fellow from the Audio Connection who I talked to about speaker choices - thank-you so much for talking with me in an intelligent manner - it was extremely useful!
(3) I have demoed the following loudspeakers in my newly designed 307 sq ft listening room, and here are my observations:
- Vandersteen Quatro CT's: Tremendously great speakers, especially for rock and jazz - not as good for strings (orchestral) - this could be related to improper placement and setup;
- Wilson Yvettes: Great speakers, greater frequency range but less analytical than my WPs. Seem too expensive for what they provide, even at a demo price;
- Wilson Audio MAXX3: Spectacular speakers, too much for my room;
- Wilson Sasha 1: Actually sound somewhat better for violin, viola, and cello than my WP7's, even if they still contain the $7 tweeter!
- Wilson Sabrina: Lack proper reproduction of cello in the low midrange - good speakers, but not for me;
- Wilson Audio Alexia 1: Great, but I do not believe in this theory of time domain compensation or whatever it is called. Not as good in my room as either the MAXX3's, Sasha 1's or WP7's;
- Wilson Audio Alexia 2: Fantastic. Not as good in my room as either the Sasha 1's or the Yvette's.
Thank-you for all of your help - Gerry