Tchernov cables. Anyone knows anything about them?


I ran into them on youtube, they were used in Lamm/Wilson or Lamm/Kharma set-up, don't quite remember.
Now, Vladimir of Lamm and Lamm dealers would not use substandard cables. They sell in Europe and there is one distributor/dealer in Canada.
inna
I usually do it like this : brand new, 50 hours, 150 hours, 230-250 hours. Purist Neptune improved slightly after that too, Tchernov Classic also just a little after 230 until 250, then I just removed it for now to put the Reference. 
190 hours. They sound less burnt-in that Classic did after 190 hours. I think, recommended 230 hours for all models is inaccurate, but I'll see. Reference has a complex dialectric, much more so than Classic, and I will run it for 275-300 hours before critical listening regardless of how it sounds at 230 hours mark.

A very good plan- inna

I look forward in reading about your thoughts/impressions.

Happy Listening!

The Reference MK II now have 280 hours on them, and I think they are burnt-in. They start opening up fully at about 200 hours. I'll put them back on the phono stage tomorrow and will follow up with my impressions. A reminder - whatever I hear, the last cable in the chain is Purist Colossus fluid, and it's an excellent one but not a reference level at all. I am sure that with my system I cannot hear everything that the Reference is capable of, or Purist Neptune, for that matter. I think, the Classic, as good as it is, was a small step below the level of my rig, and I am happy about it.
The Reference has exactly the same sound signature as the Classic but it takes the sound much further. The striking clarity, balance and low distortion continue to impress me. There is a precision of the presentation that is never exaggerated or 'analytic'. Notes are separated as they should yet the flow of the music is convincing. Silence is played as silence. Wide soundstage. As for the soundstage depth and layering, I have a tribal/ambient recording with so many different sounds and spaces, and it is played as if the depth had no boundaries. The cable strives to be as neutral as possible according to the designer's understanding of the neutrality. It will reveal the shortcomings of the recordings and all that digital BS, no illusions here, but it will not throw the negatives in your face so you wouldn't want to continue listening. You hear them but the focus on music is not interfered with much.