What are the best loudspeakers under $4000 to re-create lifelike piano


Over the past 4 months I've spent time with five loudspeakers.  On a scale of 1-10 I'd rate them as follows in their ability (with my equipment in my room) to recreate a lifelike piano.  Tekton Lore - 6.5 (great scale but tonal accuracy and clarity somewhat lacking),    Kef LS50 - 7.0 (moderate scale but slightly better clarity and tonal accuracy)  Kef R500 - 8.0  (great scale and very good clarity and tonal accuracy), Spatial Audio M3TurboS -8.1 (great scale and very good clarity and tonal accuracy and very smooth)  Magnepan 1.7i - 9.0 (very good scale with excellent clarity and tonal accuracy - very lifelike).

In your room with your equipment, what loudspeakers are you listening too and how would you rate them for their ability to recreate a lifelife piano and if possible a few comments as to why?
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Tekton Double Impact will get you 100% of what you want.  No compromise at all for piano or any other type of music. They replaced $16,000 and $22,000 speakers for me.  I did modify mine, but even stock they play beautiful piano. 
@grannyring   It definitely seems that the DIs are well thought of.  I'm guessing that there are many people not too excited about 106 pounds each...so it would be interesting to hear how the Brilliance and Electrons stack up to the DI Monitors (since @jayctoy gives them a thumbs up)  ....just looking around the forum at various comments, it would seem maybe pretty well??
grannyring, As I recall you once used Silverline Bolero's which I have and am quite fond of. As I recall you modified your crossover, I assume to pull up the 'balance' in the mid-range. I'm curious, if you can recall their unmodified sound with that of the 'Impacts', Double or otherwise. 

If you can, thanks.

As always, whart's comments are right on. As for recordings of piano's, direct-to-disk LP's really capture the attack and decay of that instrument like no tape recording I've ever heard. A good piano recording contains an almost instantaneous huge wavefront that instrument creates when struck hard, and reveals the timbre of the instrument changing as it fades away, between notes. The different timbre of specific pianos is a product of the varying levels of the harmonic overtones of the root note---the fundamental. The change in timbre varies amongst different pianos, the relative strengths of fundamental and overtones being unique to each.

IMO, to reproduce the timbre of an instrument with as wide a frequency spectrum as a piano, the loudspeaker itself requires it to have an exceptionally-even octave-to-octave balance. There is no better way to achieve that than to use one driver to reproduce as much of the piano's frequency range as possible, not chop up the keyboard amongst multiple drivers. Achieving even octave-to-octave timbre accuracy via multiple drivers and x/o filters is a very tricky, difficult thing to do. Lifelike timbral reproduction is one reason the original Quad ESL is still as highly regarded as it is. That speaker's ability in that regard remains superior to all but a small handful of competing products, regardless of price!