The new Synergistic Research BLUE fuses ....


New SR BLUE fuse thread ...

I’ve replaced all 5 of the SR BLACK fuses in my system with the new SR BLUE fuses. Cold, out of the box, the BLUE fuses stomped the fully broken-in SR BLACKS in a big way. As good as the SR BLACK fuses were/are, especially in comparison with the SR RED fuses, SR has found another break-through in fuses.

1. Musicality ... The system is totally seamless at this point. Its as if there is no system in the room, only a wall to wall, front to back and floor to ceiling music presentation with true to life tonality from the various instruments.

2. Extension ... I’ve seemed to gain about an octave in low bass response. This has the effect of putting more meat on the bones of the instruments. Highs are very extended, breathing new life into my magic percussion recordings. Vibes, chimes, bells, and triangles positioned in the rear of the orchestra all have improved. I’ve experienced no roll-off of the highs what so ever with the new BLUE fuses. Just a more relaxed natural presentation.

3. Dynamics ... This is a huge improvement over the BLACK fuses. Piano and vibes fans ... this is fantastic.

I have a Japanese audiophile CD of Flamenco music ... the foot stomps on the stage, the hand clapping and the castanets are present like never before. Want to hear natural sounding castanets? Get the BLUE fuses.

4. Mid range ... Ha! Put on your favorite Ben Webster album ... and a pair of adult diapers. Play Chris Connor singing "All About Ronnie," its to die for.

Quick .... someone here HAS to buy this double album. Its a bargain at this price. Audiophile sound, excellent performance by the one and only Chris Connor. Yes, its mono ... but so what? Its so good you won’t miss the stereo effects. If you’re the lucky person who scores this album, please post your results here.

http://www.ebay.com/itm/ULTRASONIC-CLEAN-The-Finest-Of-CHRIS-CONNOR-Bethlehem-Jazz-1975-NM-UNPLAYED-...

Overall impressions:

Where the RED fuses took about 20 hours to sound their best, and the BLACK fuses took upwards of 200 hours of total break-in, the BLUE fuses sounded really good right out of the box ... and that’s without doing anything about proper directional positioning. Not that the BLUE fuses don’t need breaking in, they do. The improvement continues through week three. Its a gradual break-in thing where each listening session is better than the last.

Everything I described above continues to break new ground in my system as the fuses continue breaking in. Quite honestly, I find it difficult to tear myself away from the system in order to get things done. Its truly been transformed into a magical music machine. With the expenditure of $150.00 and a 30 day return policy there’s really nothing to lose. In my system, its like upgrading to a better pre amp, amp, CD player or phono stage. Highly recommended.

Kudos to Ted Denney and the entire staff at SR. Amazing stuff, guys. :-)

Frank

PS: If you try the SR BLUE fuses, please post your results here. Seems the naysayers, the Debbie Downers and Negative Nellie’s have hijacked the original RED fuse thread. A pox on their houses and their Pioneer receivers.

Frank



128x128oregonpapa
“So Georgehifi, how about stating your intent in making such a stupid statement? Are you just another shill for a competitor? Jealous that its not YOUR product? Envy much, George? Are you an arsonist like a few others on the site, hell bent on destroying a small businessman’s business? Here’s a knife George ... go ahead, stab Tim Mrock in the back with it. Slice deep cuts in his wrists and take your perverted glee in watching him bleed out.”

Whoa! Hey! What! What’s up with all the name calling and graphic violent imagery? This can’t be good for anybody. I hate to be the prognosticator of doom but it appears this thread is headed for Palookaville faster than you can say Pee-wee Herman.

My motto is whatever techs say do the opposite. You’ll be much better off in the end.

Good on ya Geoff, real good advice, listen to your leader David Miscavige instead.

Cheers George
Geoffkait sez:

" Whoa! Hey! What! What’s up with all the name calling and graphic violent imagery?"


For God’s sake Geoff, did you read George’s post?

Tim Mrock, the developer of Constant Contact, has dedicated his life and monetary resources into developing a great product, and George blatantly tells people, without knowing anything about the product, NOT TO BUY IT.

What can anyone glean from George’s statement other than some type of criminal mentality at work here? At the very least, George is revealing a character flaw, most likely an infantile ego that needs to be massaged by the destruction of others. I suspect that these bullying tactics are carried by George throughout his everyday life. It must be a real pleasure being married to the guy.

George ... you owe Tim Mrock an apology. Are you man enough to step up to the plate??

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Here’s an honest testimonial from A’gon member Steve Fleschler who is benefiting from the Total Contact:

"I’ve reached the 4 week point in application of TC to only my interconnects (it’ll be another 3 weeks for the rest of the system). All of a sudden there is an abundance of micro-details in the music, voices are more legible and the entire sound became more dynamic. My 5 way dynamic speakers remind me of when I had electrostatics in terms of quiet detailed musical sounds (my wife hated the Monolith IIIs 20 years ago when we first met because of the limited sound stage, dynamics, beaming highs and limited bass at the time).

With the addition of more details and air, there is a greater dynamic range which can be disconcerting. I set the volume for the loudest peak sound now rather than the quieter sounds because I got rudely blasted on two recordings by fortissimos. I also hear a lot more chatter by musicians in jazz recordings. The significantly increased intelligibility of singers has me concentrating and enjoying the lyrics more.

This is my third post on the benefits of TC. It keeps getting more interesting and musically better.

I have a suggestion. Buy it, use only enough to treat your main audio system (which should be under 10% of a syringe). If you don’t like it, clean your contacts off and resell the remaining 90% on Audiogon or Ebay for half price. You’ll only be out about $150, or have a friend try it, or try it on your video equipment. The only way to know how good it is in your audio system is to try it based on this forum’s positive experiences. Don’t post negative comments unless you’ve tried it."


And I will guarantee that the full benefits have not been reached yet by Steve. While there is a nice jump in clarity at the four week period, its nothing compared with what happens at eight weeks.

Once again, for the open and fair minded among us, here’s the link to the product:

https://www.audiogon.com/listings/listening-room-electrical-contact-enhancer-2018-01-17-systems

Happy listening, guys ...

Frank
George ... you owe Tim Mrock an apology. Are you man enough to step up to the plate??
No, $300 for a little bit of contact cleaner and some cheap gloves, may as well try to get me to pay $100 for a 50c fuse.

Just get a $10 spray can of well researched can of contact cleaner instead, for basically the same results. And it will last much longer. Made by a major company that's been around for decades Electrolube.
https://www.electrolube.com/products/contact-lubricants/eml/contact_cleaner_lubricants/


Cheers George