Absolute top tier DAC for standard res Redbook CD
Putting together a reference level system.
My Source is predominantly standard 16/44 played from a MacMini using iTunes and Amarra. Some of my music is purchased from iTunes and the rest is ripped from standard CD's.
For my tastes in music, my high def catalogues are still limited; so Redbook 16/44 will be my primary source for quite some time.
I'm not spending DCS or MSB money. But $15-20k retail is not out of the question.
Upsampling vs non-upsampling?
USB input vs SPDIF?
All opinions welcome.
And I know I need to hear them, but getting these ultra $$$ DAC's into your house for an audition ain't easy.
Looking for musical, emotional, engaging, accurate , with great dimension. Not looking for analytical and sterile.
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FYI, a study of measurements and listening I did today comparing USB to Ethernet. They are both good BTW, but there is a clear winner. http://www.audiocircle.com/index.php?topic=155232.0 Steve N. Empirical Audio |
Awesome Steve. Thanks!! That’s a great report. I don’t think anyone doubts that Ethernet is the ideal way to transfer those magic bits, but most dacs (other than yours, the Ayre and a very few others) don’t have an Ethernet music input. Also, the ONLY proper way to utilize “Ethernet music out” from a server is having a dedicated Ethernet output (in addition to the normal Ethernet jack connected to the switch/router) that can be directly connected to the Ethernet DAC (avoiding the noise in a switch/router, and allowing a direct connection between server and DAC), like the Melco server offers (the only one I know of that does). Of course, a PC based server like the Memory Player, Baetis, SGM, Music Vault, etc could always be built/modified to have that option. My issue with your Ethernet input when I had it was that my Mac Mini with Ethernet was still an inferior source to my N10 via spdif, and the N10 couldn’t use its better usb output since I didn’t have the usb input on my ODSX. My ODSX is now at my office where it is still sourced by my N10; so no matter how we slice it, the usb input is the best and only solution for that system. Once I can get the $$$ together I’d like to do the usb upgrade you told me about! At my house, I’ve got my LH Davinci 2 which has usb and spdif/aes inputs; no Ethernet input. And my Memory Player which currently only has a single Ethernet port which would obligate me to go through a noisy switch even if I did have an Ethernet equipped DAC like yours..... To me, it’s simply that the audio industry hasn’t caught up with you and your cutting edge thinking! ;) |
I don’t think anyone doubts that Ethernet is the ideal way to transfer those magic bits, but most dacs (other than yours, the Ayre and a very few others) don’t have an Ethernet music input. Also, the ONLY proper way to utilize “Ethernet music out” from a server is having a dedicated Ethernet output Well I do offer an external device called the "Interchange", which has S/PDIF coax, AES/EBU, I2S and HDMI I2S outputs. This can be used with ANY DAC. I find that using S/PDIF coax it sounds identical to the same Ethernet interface installed in the ODSX. I think one of the major advantages of Ethernet is that you don't need any fancy server. Driving the DAC from a router or switch is fine as long as it has the right power supply. My issue with your Ethernet input when I had it was that my Mac Mini with Ethernet was still an inferior source to my N10 via spdif Unfortunately, you were the first to get the Ethernet interface. You were the early adopter in this case. I learned a lot after that about how to use it and connect it, as well as making many sonic improvements to it, including adding a WIFI interface. The new XMOS USB interface is really close though, and probably with one of your expensive USB cables and the N10 server will rival the Ethernet interface. I can't wait to get it to you!! Steve N. Empirical Audio |
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