Pick A Tube Phono Preamp, but not just any Tube Phono Preamp


I am hoping some of the experts will help with the decision, I'm an audiophile newbie but learning much from the people here!  One thing I have learned is that everything is in synergy, so a $30K preamp is out of place with a $1K amp.  I already know I don't have the money to purchase truly exotic audiophile quality, somewhere I read you can get 90% of the way there at 30% of the price.

The tube phono preams are in the $1500 - $2000 range, but of course less $ would be OK if the quality is still there, and purchasing used here extends the possibilities.

I have a HOMC cartridge, Dynavector 10X5.  I can't ever see getting a truly exotic LOMC cartridge, but maybe at some point I'd look for an upgraded MC cartridge.  The 10X5 seems truly excellent though, but that is for a different time.

I'm thinking of an Allnic H1201, a bit beyond the upper $2000, the Eastern Electric Minimax Phono, which even new is $1500, and used is less, the Audible Illusions Modulus 3A, which used is in the range, but I'd be using the MM input, the Decware ZP3, and the EAR 834P. I'm thinking there may be others in the range that people here know of to think about.

The Modulus 3A has several other inputs besides the phono, which seems to be a benefit, but maybe then the phono portion has been a lesser focus than on a strictly phono preamp?  The downside is to go to a LOMC cartridge it needs a new replacement board, which isn't tube based so that is a question.  I'm thinking people would use a SUT and keep using the MM input, but I could be wrong.

The Eastern Electric just seems to be excellent quality, but it seems a fair amount of the price for it, as many of these, is to accommodate the LOMC cartridges.  With the Decware ZP3, if you go with a LOMC, you then have to buy an additional ZMC, and get the correct one based on the cartridge.  But that means the ZP3 is focused completely on the MM and HOMC cartridges, which seems to be a good thing.  The end result though is that in the end the Decware may end up costing much higher than the $2000 upper limit.

The EAR834P seems to be highly recommended, but many of those recommendations are from people who've had it heavily modified.  In factory stock condition it is still well thought of though.  It is also possible to get the 834P for only MM, but once again in the long run that would be a questionable choice, it is probably better to get the MM/MC version at a higher price.

So it is a question, and I'll appreciate the opinions.

the_treble_with_tribbles
+ on the Manley Chinook, have used it with a Soundsmith Zephyr and a Soundsmith MIMC Star to great effect. Super adjustable, tube roll if needed, super quiet, built like a tank and an informative, educational owners manual. Sounds great and u can get it used for good prices. 
You may want to post this on the Analog section as well since some hardcore vinyl members don't leave that section. That aside, I'll throw in Mapletree Audio and Aric Audio as two more options for all tube preamps. I have one of Aric's line stage preamps and it sounds wonderful. Not fancy outside but high quality components inside.
Just a FWIW... if you are planning to use a phono section, consider a full function preamp.

The issue is connectivity; to get the signal the real world the preamp has to have a low output impedance so as to control the interconnect cable. Otherwise the cable becomes part of the system sound- a cable that sounds good with one phono section may not with another!

The solution of course is to have the connections between the phono section and line stage as short as possible and soldered in place. This allows the phono section to have less circuitry and so a simpler signal path can be the result, which aids transparency.
The Audible Illusions 3A is simply one of the greatest tube preamps ever made for phone .... stop your search and go listen.

They also still get complete support, something you will appreciate over the years.
I am a newbie!  I was reading varyat's previous posting, where VFM was mentioned.  OK, that was an audio term I hadn't known, except I think it is "Value For the Money."  

There was actually a Manley Chinook on eBay, but I didn't jump in.  It did look good.

I think I'm understanding atmasphere's advice "consider a full function preamp."  Which I'm thinking the Audible Illusions Modulus 3A is.  It has 28dB for the phono, and then 30dB for the line stage, so the total of 58 is very close to the 60dB gain I had somehow come up with for the proper amount for the 10X5.  And, thinking of what harrylavo said, the headquarters is in Daytona, which is within driving distance from me.

I am still wondering though about the VTPH-2.  It is a FET/tube hybrid I guess.  From TheNeedleDoctor review, "  It offers a level of vacuum-tube engineering (carefully combined with solid-state circuitry) that's rare at any price, unheard of at this one."  So that is calling for more research, as I'm not sure what aspect the solid-state circuitry is doing.

One aspect I'm starting to wonder about as I search used is how robust are these tube phono preamps?  Should they last 8 years, 15 years, or many decades?

And, I'm thankful for everybody who's taken time and replied, every response is helpful for me, and also appreciated too.