Tekton Impact Monitors


Hi All,
I'm relatively new to Audiogon but have trolled the discussions for a few months. I have been listening to Spendor LS3/5As driven by a Quad 34/306 combination since the late 1980's and decided that it was finally time to upgrade my speakers. I love the Spendors but they are very limited in dynamics and scale. I auditioned the SVS Ultra Bookshelf speakers and while they brought some additional scale they simply didn't have the sweet midrange that I can't live without. I listened to some open baffle speakers (Emerald Physics) and loved them, but their size and need for space worried me, and I found them less satisfying at moderate and low volumes, where I do a fair bit of listening. I was fascinated by all the discussion regarding Tekton speakers and was considering getting a pair of Enzo 2.7s, but after a short discussion with Eric I followed his recommendation of the Impact Monitor with upgrade. They have the 7 tweeter array and a pair of 6.5" woofers and are rear-ported. I use a pair of SVS subs (the sealed variety). The Impact Monitors are simply amazing. The midrange is oh-so-sweet (very similar to my Spendors, but with more air) and the detail, even at low and moderate listening levels, is superb. The imaging is even better than my Spendors managed and the scale is huge and is much more music-appropriate. My system is really quite modest but now when I walk into my listening room (doubles as our living room - thankfully my wife appreciates Hi-Fi) I get the audio-show feeling of "being there". I have a Denon DP59L turntable with a DL110 HO moving coil cartridge running through an Emotiva XPS-1 phono preamp and the Tektons are absolutely incredible with classic rock on vinyl. I'm not sure how Eric managed it, but these speakers are superb, even with my 30 year old Quad electronics. I believe they are basically the top 24" of the Double Impacts, but are rear-ported rather than front ported. I can heartily recommend them and Eric and his team are great to work with. I'm not sure how many other Impact Monitors are out there since the pair I have are S/N 0005 and 0006!  
ky1mag
I'll add that the Tektons have really nice smooth highs and dig out all the details of the music and I can hear the details at modest volume levels, the EP 4.7s sound best at higher volumes and have different presentation being open baffle. The musics seems to "float" around the speakers for lack of a better description. With The Tektons the music sounds more like it's coming from a source, the box enclosure. 






Teajay I have the impact monitors since Nov 2017, I used Plinius sa100 and Viva 300B And concierto art audio using 6550 genalex tubes, never experience any fatiguing at all, the impact disappears on this three amps, iam familiar with audio physics Virgo my dealer that time almost sold me one, they are  very good musical speakers with huge soundstage, they are very musical.
@travbrow   Thanks for the additional detail. Gives me a better feel for your comparison. Keep us posted on your ongoing findings and what you decide on. 

I found break-in to help in losing that 'boxiness' you describe. And more importantly, positioning will help eliminate it as well.

If you love what an open baffle does, they do get you out of the box, so to speak! : )
 I did tinker with the positioning some. I have the Tektons 42" from the front wall 24" from side walls measured from the back and outside of the cabinets, and about 8 feet apart measured from the center tweeters. The center tweeter is about in line with my ears. I'll admit there's not a lot of hours on them but how much do they change? 
Also moving them a little at a time doesn't seem to change the sonic character that much to me. I have ceiling and sidewall absorption panels so I don't think reflections are causing much issues. They just sound a bit too forward for me at higher volumes and don't have the dynamic scale I'm used too. 

 I can see how folks like them though they have plenty of resolution and detail and maybe better suited for tube amps which I don't have.