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How to "mount" acoustic foam ?

My main system is in my partially unfinished basement.
While I have finished the ceiling and have nice floors / rugs - I do like the industrial / rough look of the concrete walls....I just finished painting them but don't want to install any sheetrock / finishing material.
Instead I want to buy acoustic foam (2inch depth squares) and mount them to the walls - front / back and sides
And here are my questions:
1. Should I just use glue and apply the foam squares directly to the wall ?
 - IF YES - what glue should I use? I know there is the special construction glue for laying floors etc..... I now they sell it also for concrete and stone application - sold in caulk like tubes 
2. Should I first apply the foam  to a plywood / wood and anchor that to the floors ?
 - IF YES - I would imagine a few concerns: 
-  Will that wooden structure bring about sound resonance that I am actually trying to control ? (Wood isn't as bad as concrete but still....) 
-  Will I have to add a layer of caulk or similar filler between the wall and  the wooden panel? Obviously the concrete walls are not super smooth so the wood panels will not be in perfect and uniform contact. They will be held rigid with the specialty screws drilled into the walls....but still 
- What type of panels should I use....I was thinking anything from very thin cardboard like materials (to minimize any resonance from wood) to 1/2 inch plywood for rigidity.
IN SUMMARY: 

 I am leaning for the 1/8inch thick boards - In my mind it would provide smooth surface to mount the foam onto, retain the acoustic profile of the foam, and then just hold it all in place up on the wall with 4 bolts (each corner)

Anyhow....Any other tips and advice about proper installation would be appreciated.

Thank you!! 
ether
geoffkait's avatar
geoffkait
23,365 posts
 
Oh, my! I’m being ganged up on by the Gang that Couldn’t Shoot Straight. 😩
david_ten
5,480 posts
 
@gdhal   Hal, you may want to pay attention to what @folkfreak  and @geoffkait  are saying regarding this.
gdhal's avatar
gdhal
1,641 posts
 
@david_ten

I’ve payed attention. For one, I disagree with the presumption that "treatments from GIK are quite cheap". I have personally been in communication with GIK. Price/value ratio is always a personal matter and opinion, with respect to what is cheap, or not.

I do agree, however, that "even natural rugs or wall hangings will be better than synthetic foam". In my case, this is somewhat moot. I realize there are materials "better" than foam. No matter what is obtained, there is always something "better", especially in this hobby of audio and the quest for utopia/nirvana.

I’m satisfied that the foam I’ve installed has done the job I intended, which was merely to "take the edge off" so to speak. No doubt though there is more to be had should I choose to go that route. I appreciate the/your tip.

EDIT:

So here’s my analogy.... I’ve used foam not with the intention of scoring a home run, but merely to get on base. And to that end, I’ve certainly achieved it. This despite with Geoff would lead one to believe which is that it does nothing at all..... or further, that it has a negative effect. WRONG. I have plenty of third-party independent lab results, my own ears, and testimonials from other users of acoustic foam to reiterate that acoustic foam is a solution, albeit not necessarily the best solution.
folkfreak's avatar
folkfreak
1,349 posts
 
I’m sorry I was not able to communicate clearly enough. I’m not denying that acoustic foam will perform sonically and damp midrange tones. The issue is that in doing this it also imparts an audible sonic signature that is harsh and ultimately undesirable. I’ve had the same experience with synthetic rugs on the floor in comparison to wool, they work as advertised but you can hear the effect, it’s a sort of tinnitus like effect (ie a harsh but low level high frequency ringing)
gdhal's avatar
gdhal
1,641 posts
 
@folkfreak

Apology accepted but completely unnecessary from my perspective.

In no way shape or form am I experiencing a sonic signature that is harsh and ultimately undesirable. In fact, this is partially what I’ve cured by installing the foam.

If I do the "clap test" in my listening space, there is absolutely no echo or reverb what-so-ever. Isn’t that the goal, or at least one of the most important goals in room treatment?

And, getting back to cost for the moment, when I was in looking into a GIK solution, I was in the low thousands of dollars. When I looked at foam, I was in the low hundreds.
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