Interesting response by Mr. Fremer, but he doesn't address any of the specific criticisms made by Mr. Hardesty of the build quality, choice of materials (e.g. the choice of a rather large 7" midrange "woofer") and the problematic measured performance of the Wilson speakers.
Instead he seems to say that "ALL speakers are colored" and "choosing a speaker is like choosing a mate". And he basically repeats things like this over and over again in a variety of different ways. The unfortunate thing is that Mr. Fremer is a high-end audio reviewer and not a casual listener. I would hope that he is experienced and knowledgeable in ways that the casual listener is not, and would therefore be better able to address the specific issues raised by Mr. Hardesty, point by point.
I do not blame Mr. Fremer for lashing back at those who claim he is a "huckster" or somehow swayed by the manufacturers who advertise his magazine. If he is the honest man he claims to be, and I believe he is, he has every right to defend himself against such reckless charges.
It is interesting that Mr. Fremer talks about his relationship with some of the manufacturers and the difficulty of being "friends" with some who he has to write product reviews for. I would imagine all reviewers deal with that same issue.
At the same time, Mr. Hardesty is a high-end audio reviewer as well. Mr. Fremer, along with some of the other posters here, have called Mr. Hardesty's Watch Dog piece "a review". I don't find any indication that Mr. Hardesty himself considers his Watch Dog column a review. On the contrary, his Watch Dog column is often a response to another journalist's review of a given product. I also don't doubt that an experienced reviewer like Mr. Hardesty has had countless opportunities to listen to many of the Wilson speakers in a wide range of system configurations and rooms over the years including shows, manufacturers listening rooms and customers or friends homes. God knows, I am not a reviewer and I have heard Wilson models so many times that I couldn't even begin to count them.
It is therefore not valid to respond to Mr. Hardesty's comments simply by assuming he is somehow unqualified to make those comments. At the very least, anyone is qualified to look at the measurements of a Wilson speaker (including the measurements included in the Stereophile review in question) and point out significant problems. It is also perfectly valid for Mr. Hardesty to ask how a 7" Scanspeak woofer is able to provide the kind of midrange resolution and detail that is expected of a $10,000, $20,000 or $40,000 speaker system.
Lastly, the debate over the issue of steep-slope crossovers and time/phase distortion one is an interesting one for the whole industry. Mr. Fremer doesn't seem to have much interest in addressing Mr. Hardesty’s well documented statements about the consequences of this kind of speaker design to the integrety of the waveform. I think it is at least worth discussing.
Wilson speakers are unusually expensive and therefore deserve to be held to a very high standard. Mr. Fremer is a high-end audio reviewer for one of the two most respected audiophile journals and should also expect be held to a higher standard. His response to Mr. Hardesty seems to fall far short of this high standard. If “all speakers are colored” and “choosing the right one is just like choosing a mate”, then why would anyone need to read reviews from people like Mr. Fremer or Mr. Hardesty?
Instead he seems to say that "ALL speakers are colored" and "choosing a speaker is like choosing a mate". And he basically repeats things like this over and over again in a variety of different ways. The unfortunate thing is that Mr. Fremer is a high-end audio reviewer and not a casual listener. I would hope that he is experienced and knowledgeable in ways that the casual listener is not, and would therefore be better able to address the specific issues raised by Mr. Hardesty, point by point.
I do not blame Mr. Fremer for lashing back at those who claim he is a "huckster" or somehow swayed by the manufacturers who advertise his magazine. If he is the honest man he claims to be, and I believe he is, he has every right to defend himself against such reckless charges.
It is interesting that Mr. Fremer talks about his relationship with some of the manufacturers and the difficulty of being "friends" with some who he has to write product reviews for. I would imagine all reviewers deal with that same issue.
At the same time, Mr. Hardesty is a high-end audio reviewer as well. Mr. Fremer, along with some of the other posters here, have called Mr. Hardesty's Watch Dog piece "a review". I don't find any indication that Mr. Hardesty himself considers his Watch Dog column a review. On the contrary, his Watch Dog column is often a response to another journalist's review of a given product. I also don't doubt that an experienced reviewer like Mr. Hardesty has had countless opportunities to listen to many of the Wilson speakers in a wide range of system configurations and rooms over the years including shows, manufacturers listening rooms and customers or friends homes. God knows, I am not a reviewer and I have heard Wilson models so many times that I couldn't even begin to count them.
It is therefore not valid to respond to Mr. Hardesty's comments simply by assuming he is somehow unqualified to make those comments. At the very least, anyone is qualified to look at the measurements of a Wilson speaker (including the measurements included in the Stereophile review in question) and point out significant problems. It is also perfectly valid for Mr. Hardesty to ask how a 7" Scanspeak woofer is able to provide the kind of midrange resolution and detail that is expected of a $10,000, $20,000 or $40,000 speaker system.
Lastly, the debate over the issue of steep-slope crossovers and time/phase distortion one is an interesting one for the whole industry. Mr. Fremer doesn't seem to have much interest in addressing Mr. Hardesty’s well documented statements about the consequences of this kind of speaker design to the integrety of the waveform. I think it is at least worth discussing.
Wilson speakers are unusually expensive and therefore deserve to be held to a very high standard. Mr. Fremer is a high-end audio reviewer for one of the two most respected audiophile journals and should also expect be held to a higher standard. His response to Mr. Hardesty seems to fall far short of this high standard. If “all speakers are colored” and “choosing the right one is just like choosing a mate”, then why would anyone need to read reviews from people like Mr. Fremer or Mr. Hardesty?