OK. It's been pretty close to exactly four weeks since I applied the magic stuff. I pasted approximately 100 connections. And before you go "no way..." there are 30 connections included in just my two main front speakers. I built them from a GR Research kit, so I know it. Oh and Oregon? My main amp is the 75 SE. How in the world can anyone say anything negative about it? It is superlative. Amazing. Also have the Herbie's Super Black Hole and Big Sliders under the speakers. Anyway, my system is sounding better than it ever has. It just keeps blooming as the magic stuff cures, and I wanted to wait the four weeks before I wrote anything.
However, back on February 12th, immediately after I initially pasted and listened, I sent Tim the following : "Hi Tim. I spent several hours applying the secret sauce to approximately 100 connections, and that's not counting, for instance, the four separate connection points in a Speakon connector as more than one. So I have a few.
I think I'd best describe changes as subtle at this point. Not a huge smack in the face. Which is just fine with me, 'cause I already really like how my system sounds. Greater or lesser degrees of: lower, blacker noise floor, more presence to low frequencies, more depth and width to the sonic image, coming further to the sides of the speakers than before. The highs seem smoother and my missus said she could hear more highs that were buried before (her ears may be a bit better than mine...). It seems as though some vocals are easier to understand. Seems like it took the edge off of some female voices that could occasionally be a tiny bit grating. What the missus (Cindy) and I also agree on is that it in no way diminishes the sound. No dulling, losses, or smearing. So if it only gets better, and it's a linear process, then I say: yayy!"
And Yayyyyyyyy it is boys and girls. The soundstage has continued to solidify and spread at the same time. And the "seems" statements that I sent to Tim definitely "are".
One thing that no one has mentioned that I have found is that it makes the connections more electrically efficient on top of everything else. What do I mean? Well, my speakers are stupid efficient. 97 dB. Which means I should by running about 6 watts, not the 75 that the AR puts out. So every change is easy to pick out. Which can really suck if I make a bad choice. I've seen the meters on the 75 SE hit 15 watts on stupid loud Tool or Sevendust, but they barely move at normal listening levels, like now, with Tori Amos and her piano. She is solid, and the piano is THERE. Really awesome. But my volume shows 9 o'clock where before I used to listen to the same stuff at 1030 or 1100. Anyone else notice this? I tried attenuators to get further into the volume, but they killed dynamics.
Tim and I sent each other photos of our respective systems. Let me tell you: he is serious about his setup. Very. I'm lucky that I have a lady that allows the speakers well into the living room without complaint. She is awesome as well.
The only connections I didn't paste were the tubes in my AR pre-amp and the 75 SE. I figured I'd be okay with the benefits of the other connections, and opening the nearly $20K in amps to paste the pins scared the hell out of me.
OK, back to the music. Vienna Teng is filling my soul.
Oh, this is the best 300 bucks I've spent on anything. Ever.