Recommendation for a modern Duntech Sovereign 2001 replacement


After o.a. the Snells (Model A/II, B Minor), Vandys (2Ce sigII), Thiels (2.2, 3.6), I settled on Dunlavy (SC I, III, IV) and Duntech (Black Knight and Sovereign 2001). These all have 1st order xo and soft dome speakers (I have had plenty of other speakers).

I listen mostly to classical, Jazz and occasionally classic Rock. Must have superb mid range.

Looking for a modern version (closed box or electrostatic) which should be smaller and, very important, offers a higher WAF (which should not be difficult).

Any recommendations?



 
128x128jazzonthehudson
Pryso we had the Jantzen and they do look retro 50’s with a rectangular panel in the middle with two circles on top and bottom remind people of an Emmes design especially in the wooden finish.

I would also say if someone is looking at keeping a pair of speakers for as long as this gentleman has owned his loudspeakers, he would probably want an even better speaker than the Jantzen, they are a great speaker at the price point but there are a ton of other speakers which are a bit more expensive which will better them in many ways, however, we are big fans of the Jantzen they are very, very good spakers, David Jantzen is a very nice and talented man, and the ZA 2.1 were very musical speakers with a ton of bass in a very compact design.

On our floor the Legacy’s which use an exotic Heil Super tweeter/tweeter and graphite and silk woven midrange, coupled with 2 long throw 10 woofers, sounded bigger and fuller with a bit more upper top end extension and overall for $7k were the hotter ticket, and the Paradigm Persona 3F which are just amazingly holographic loudspeakers with a more extended treble with pure Beryilium tweeters and midrange drivers, offered   a more detailed, faster presentation for $10k were also the hotter property.

As per shipping the gentleman has a few options, hire a local high end audio/custom installation dealer who may have a suitable crew, that can cut and measure carefully and cut and design with wood or find a good handyman or carpenter that does piece work that may want to tackle a day long project and has the man power to move giant heavy boxes easily.

We did this for a client with Wilson X1 the process was simple you wrap the speaker with shrink wrap. With any exposed tweeters you cover them first with pieces of thick cardboard or dense foam, then cut thick foam pink sheets from Home Depot to the size of the speaker and close up the pink sheeting with duck tape and then build a form wooden box to size, paying particular attention to the thikness of the pink sheeting which needs to be 1-2inches and then you use short think screws sunk into 1 by 4 which you put in the corners, shoot the side screws into the 1 by 4 and side by side viola custom crate.

A set of large custom crates with packing matrials will cost $500 plus for pink sheeting, plywood, screws, 1 by 4, and duck tape and labor depending on where you are and local labor rates should add another $500-750 so building custom crates can be expensive, but if you have crated the speakers well a trucking company can pick them up and they will be on their way.

I can totally agree with the wisom of your comments about reasonable size and weight, that concept of practicality can be an elusive quality when it comes to high end audio. I would say with some of the newer loudspeakers technologies you can get stunning sound with a lot less weight. 

Sorry if we were seeming over eager, sometimes people don’t get how close we are to New York state, if we can assist you in any way please let us know.

Dave and Troy
Audio Doctor NJ


Thanks gents for the tips on packaging, I was also gearing towards the use of pink sheets and spraying insulation foam before closing the crate to ensure things don't rattle doing the long journey across the globe.
If the grand total shipping costs become cost prohibitive for the buyer, I will probably relist my Sovereigns again.

As for my final shortlist - and I have just started - it will be one where aesthetics, overall sound quality, transportability/handling (we will move in the future) and with a small weighting, ease of resale play a role.

E.g. my wife can live with the B&W 805 D3 and REL combo a friend has,  but I am fighting to keep the form factor to floorstanders.





Since your in the NYC area you might want to reach out to Carl at Nola in Brooklyn and see if you can visit the factory and look at the speakers from the KO Series 2 on up.  There should also be dealers in the immediate area.  Also the Devore Gibbon X also built in Brooklyn.  Both lines are attractive, reasonable weights and fairly easy amplifier loads.
joth, I would say any reference/comparison to Eames designs is a high complement.  Several of those remain in continual demand  because they are considered classics.  

I took audiotroy's "retro 50s" comment to reference speakers since that is the topic of this discussion. 

Regardless, esthetics are so personal that each of us must judge for ourselves.
Well it seems you have an affinity for 6 dB filters, at least go hear the Quattro CT - Vandersteen has been working that design principle for 37 years....
enjoy your search :-)