The new Synergistic Research BLUE fuses ....


New SR BLUE fuse thread ...

I’ve replaced all 5 of the SR BLACK fuses in my system with the new SR BLUE fuses. Cold, out of the box, the BLUE fuses stomped the fully broken-in SR BLACKS in a big way. As good as the SR BLACK fuses were/are, especially in comparison with the SR RED fuses, SR has found another break-through in fuses.

1. Musicality ... The system is totally seamless at this point. Its as if there is no system in the room, only a wall to wall, front to back and floor to ceiling music presentation with true to life tonality from the various instruments.

2. Extension ... I’ve seemed to gain about an octave in low bass response. This has the effect of putting more meat on the bones of the instruments. Highs are very extended, breathing new life into my magic percussion recordings. Vibes, chimes, bells, and triangles positioned in the rear of the orchestra all have improved. I’ve experienced no roll-off of the highs what so ever with the new BLUE fuses. Just a more relaxed natural presentation.

3. Dynamics ... This is a huge improvement over the BLACK fuses. Piano and vibes fans ... this is fantastic.

I have a Japanese audiophile CD of Flamenco music ... the foot stomps on the stage, the hand clapping and the castanets are present like never before. Want to hear natural sounding castanets? Get the BLUE fuses.

4. Mid range ... Ha! Put on your favorite Ben Webster album ... and a pair of adult diapers. Play Chris Connor singing "All About Ronnie," its to die for.

Quick .... someone here HAS to buy this double album. Its a bargain at this price. Audiophile sound, excellent performance by the one and only Chris Connor. Yes, its mono ... but so what? Its so good you won’t miss the stereo effects. If you’re the lucky person who scores this album, please post your results here.

http://www.ebay.com/itm/ULTRASONIC-CLEAN-The-Finest-Of-CHRIS-CONNOR-Bethlehem-Jazz-1975-NM-UNPLAYED-...

Overall impressions:

Where the RED fuses took about 20 hours to sound their best, and the BLACK fuses took upwards of 200 hours of total break-in, the BLUE fuses sounded really good right out of the box ... and that’s without doing anything about proper directional positioning. Not that the BLUE fuses don’t need breaking in, they do. The improvement continues through week three. Its a gradual break-in thing where each listening session is better than the last.

Everything I described above continues to break new ground in my system as the fuses continue breaking in. Quite honestly, I find it difficult to tear myself away from the system in order to get things done. Its truly been transformed into a magical music machine. With the expenditure of $150.00 and a 30 day return policy there’s really nothing to lose. In my system, its like upgrading to a better pre amp, amp, CD player or phono stage. Highly recommended.

Kudos to Ted Denney and the entire staff at SR. Amazing stuff, guys. :-)

Frank

PS: If you try the SR BLUE fuses, please post your results here. Seems the naysayers, the Debbie Downers and Negative Nellie’s have hijacked the original RED fuse thread. A pox on their houses and their Pioneer receivers.

Frank



128x128oregonpapa
geoffkait - Gdhal, would it be safe to say you’re experiencing another one of your Deadhead acid flashbacks? Or are you always like this? 😬 Question. Have you given any consideration to going back and finishing up your GED? 😀
Possible. Admittedly, I suspect my mind isn't always as "normal" as it would have been had I not "experimented". 
My experience with SR blue fuses indicate a consistency in their directionality.  The Black SR fuses and Blue SR fuses exhibited the same directionality (writing on the fuse and arrow).   In one pair of mono-blocks the writing faced inward on both screw-in fuse holders.  In another stereo amp the writing faced outward on a screw-in fuse holder.  My conclusion is that the fuses are probably consistent in directionality but equipment using the same basic purpose (turn-on power supply fuses) can differ.
wolf_garcia
I seriously doubt that HiFI tuning and SR would be conferencing together, but if they were, why? Planning a sales territory treaty? Trading fuse coating recipes? Deciding on the table settings for a masked ball? One thing claimed "insiders" can't know is the ratio of audiophile fuse "naysayers" to "the faithful." A point successfully ignored by Kaitty. I get continued flack for repeatedly asking why fuses work, and although it's not "rocket science," this this forum thread is about expensive fuses, not rockets. Nobody has yet to make clear in any post anywhere what these special tiny wires do to "gain about an octave in low bass response," or help a system become "transformed into a magical music machine." Without the pesky directional issue. How? Why? Remember, regardless of the quantum coating of vibration damping directional nano juice, it's a teeny, tiny, little wire that is designed to melt.

What you believe is entirely irrelevant to me. You can jibber jabber until you’re blue in the face, knock yourself out.
 If it's the wire that gives the fuse directionality, why can't the wire be inserted into the fuse with one of the end caps marked?
If a mains fuse is marked as a reference to directionalality, the the manufacturer would be liable.
As there is no direction with main voltage as it changes (cycles) 60 x a second.
The only way this could be seen as directional, is if the fuse was taken out and reversed 60 x a second as well to stay in syc with the mains.

BTW Jetter, had a quick look at your fuse "snake oil" posts, and it seems you are neither yay or nay, are you a fence sitter on the subject, is this right or did I miss something?

Cheers George 
This is just another kind of blue ooo
dadada dada dadada dadada
ooo ooo
This is just another kind of bluuuuue ooo