Ugraditus is calling....again. Phono stage?


There is likely nothing wrong at all with present phono stage but you know how it is.

Present analog front end consists of.

Nottingham Analog Spacedeck with Spacearm.
Shelter 501 mk3 cartridge with maybe 250 hours on it, regularly treated with Lyra.
Dynavector P75 mk3 phono stage.
Feeds into Lyngdorf 2170 via Nordost Red Dawn RCA cables.

My thoughts were that possibly the Dynavector is the weakest link and would pay most dividend on an upgrade but.....

What do I perceive I am lacking right now?
Really hard to say as this is highest quality analog front end ever owned.
Possibly lacking a little in sheer scale and dynamics? Bass is very very good, instruments are well separated and defined.
Just as an overall presentation I feel it lacks that final wow factor as a whole.
Not sure if that makes any sense?
Please comment honestly especially if you feel it is another area that may reap larger benefits. Or if should just leave well alone....lol.

Oh btw I am fairly sure it is setup correctly in regards to vta etc, at least to the best of my abilities right now. And yes setting it up correctly from initial purchase did make considerable gains in sq.
128x128uberwaltz
@rsf507 

At this stage I have zero complaints.
I just love the total flexibility of being able to change settings like gain and loading etc right from front panel.
This makes for easy instantaneous comparison and much nicer than opening up and moving jumpers etc.
It is extremely well built, almost a work of art to boot.
Nice touch is outputs on both xlr and RCA.
Also two sets of inputs so you could set up for 2 different cartridge and only have to flip from input 1 to 2.

A lot to like so far!
Oh...and it sounds pretty darn sweet too. Lol

Now all I need do is find a buyer for the Dynavector P75, which is a darn fine phono stage but not in the Gold Note league.
Al I've been contemplating getting the ART nine and I've been wondering what you think of it? I've been running a lyra helicon  and I absolutely love it but I'm not sure how many hours it has on it. 
 Sorry for the brief off-topic, sounds like the OP is really enjoying his phonostage so that's great! 
No problem Analogluvr
I too have been thinking about the art9 so would welcome any comments on it right here
@analogluvr & @uberwaltz,

Like many others here I’ve been delighted with the ART9. Among its many excellent qualities I would say that the one which stands out the most is simply its neutrality, meaning that it doesn’t seem to overemphasize or underemphasize any part of the spectrum. Dynamics and resolution of detail are also excellent.

To provide context, for the better part of the previous 30+ years I was using various incarnations of the Grace F-9E and F-9E Ruby. Most recently an F-9 with Soundsmith’s $350 "Ruby Cantilever / Nude Contact Line Diamond" stylus/cantilever assembly. Which is a very nice cartridge, but I found it to be not quite as accurate or dynamic as the ART9.

My tonearm is a 1980’s Magnepan Unitrac I, which has a relatively low effective mass of 8 grams. The ART9 has a highish compliance, specified as 18 × 10-6 cm/dyne at 100Hz, which I suspect probably means something like 30 x 10-6 cm/dyne at the 10 Hz frequency that compliance specs provided by non-Japanese cartridge manufacturers are usually based on.

I see that the Lyra Helikon is spec’d at 12 x 10-6 cm/dyne at 100Hz, and has a weight that is very similar to the ART9. Given that as well as the fact that several members here have reported excellent results using the ART9 in medium mass arms I doubt that there would be any compatibility issues using the ART9 in an arm that is suitable for use with the Helikon.

I’m uncertain about compatibility in Uberwaltz’s case, though, as I’m not familiar with his arm and the compliance of his Shelter cartridge appears to be somewhat lower, at 9 x 10-6 cm/dyne, presumably at 100 Hz since it is made in Japan. Although it’s weight is again very similar to the weight of the ART9.

Best regards,
-- Al