@audiolabyrinth -- by the same logic you could also ask "how do the A3 compare to the M3" 😏
My experience in moving in the Magico lines is that there are two strands of DNA if you will -- one (the number) pertains more to room size and frequency extension (primarily low end) while the other (the letter) pertains more to tone and temperament -- I moved from V3 to Q3 and the effect was transformative, my next move (if/when I do) would be to M3. For some reason I have never warmed to the S series despite hearing them in many shows, they always seem to lack emotion and come across as sterile (although that could be the fault of how they are demoed)
So for me the question is tonally is the A class in the spirit of Q->M or the S. I suspect the latter given the necessity at this price point of designing a speaker that is undemanding of the sources and amplifiers it is used with, hence the slightly higher sensitivity I assume. The Qs can sound like hell if not carefully matched (they need gobs of power and ideally (to my taste) valves)
My experience in moving in the Magico lines is that there are two strands of DNA if you will -- one (the number) pertains more to room size and frequency extension (primarily low end) while the other (the letter) pertains more to tone and temperament -- I moved from V3 to Q3 and the effect was transformative, my next move (if/when I do) would be to M3. For some reason I have never warmed to the S series despite hearing them in many shows, they always seem to lack emotion and come across as sterile (although that could be the fault of how they are demoed)
So for me the question is tonally is the A class in the spirit of Q->M or the S. I suspect the latter given the necessity at this price point of designing a speaker that is undemanding of the sources and amplifiers it is used with, hence the slightly higher sensitivity I assume. The Qs can sound like hell if not carefully matched (they need gobs of power and ideally (to my taste) valves)