Unsound, you raise a strong, well grounded germ of an idea.
But in my experience and knowledge, active crossovers are a fairly blunt instrument. Their downfall is that they generally assume a very simplistic model of the
driver and therefore give a very generalized net filter effect without
the necessary interactive nuances between the signal and reactive driver
loads.
Those interactive anomalies can be addressed passively. My study of the
progression of Thiel designs shows drivers that are better and better
behaved as time goes on, requiring simpler crossovers. But they're still not perfect.
As I mentioned way back, Jim's first purest ideal speaker (never brought to market) included separate amps with active crossovers driving each driver with its Zoebel / Boucherot and other corrections attached to it. That hybrid of active / passive offers everything via control of the factors as well as control over or elimination of all the input variables that cause so much trouble (cable reflections, etc.) With the line level signal presented to the inputs, everything else happens "in the box". We decided, as a young, green, minimally capitalized company, that we couldn't afford to educate our customers, as well as the high risk of failure presenting such a wild-card to the market in 1976. Dealers hated the idea of an amp / speaker system that "just
worked". Their very existence depended on addressing all those problems
. . .
History validates our decision. Today, someone might pull off that feat. I offered this idea (indirectly) to the new Thiel ownership, who thought it quaint and idiosyncratic and didn't want to talk about it.
If a savvy group could buy Thiel's intellectual property (assuming it becomes available), and if the engineering talent could be assembled, I think this solution could make some real waves, especially in how it harkens back to the roots of the company. What if pro-audio / record-makers had such monitors? What if we didn't have to make excuses for poorly produced albums? What if the vast differences introduced by amplifier output particulars modified by cable variables . . . weren't in the picture at all? Just dreaming.
Thank you for a walk down memory lane.
