@in_shore
My curiosity grows on the PSA WAVE setup. Albeit, given the biz with DSD vs all other formats, I believe I’ll aim for merely Red Book playback DACs. If they have more attributes or support more BR and SR then fine.
Have you found via comparison sake, between two identical titles, one off SACD disc, one streamed via the I2S one is best on all accounts?
That question seems loaded, as there are a few variables, but generally speaking if the I2 and USB cables in play are the exact same level from the same maker, it should be a close enough experiment I would suspect.
LowRider
RE “its great with video”
At $700, it ought to be. I’ve found too merely adding a nice upscale Power Cord on the rendering device vastly improved the video. Good to very good will suffice for my needs, its mostly for company or a date night anyhow. I tend to use the Narrative Audio track now on many BR discs. Using this optional audio track, it is almost like old time radio. Most things are verbally explained during the film by a separate voice. Even in the chasing, combat, and fighting scenes. Description rests in between the standard dialog.
It’s a brave new world sports fans!
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@mr_m
Thanks. Yeah. I did not mention optical on purpose. Although I’ve had somewhat similar results to your own with various low end TOS links.
One issue arises in what your post says… ‘glass’.
It is my understanding the glass refers to a different connector or interface than simpler TOS cables.
Is this your own EXP with the one you mention? Did it come with adapters if so?
With various iterations of el cheapo TOS links from the early ‘s, $20 - $40, the sound was hard on most discs, and from CATV boxes via bit stream except for greater sampling rates above 44K.
Surprisingly, a 6ft TOS I picked up at Wally World in a pinch eased up the stern presentations of the shorter thinner 1M links from Best buy or online outlets. In fact that wally cable became my go to TOS for CATV boxes and Megga CD changers. $15 I think.
