Looking for a Giant Killer Digital cable

Blindjim,

The glass optical cable has the standard ends of a inexpensive toslink, but are highly polished on the Wireworld. Standard cheap toslink ($15 to $30 variety) usually comes with one thick plastic line to transmit the signal. OTOH, a high quality glass optical is made up of hundreds of small glass threads to carry signal. The Wireworld has approx. 330 of these minute glass cables bundled into one. This makes for a much more expensive interconnect, but is vastly superior to a standard cheap toslink. I have done extensive comparisons with both. YMMV.

BlindJim 
Like some I prefer physical ownership of my music and I guess I could rip my CDs and store my collection away however I don’t mind plopping a disc in a tray.
When it comes DSD , Sacd and jacked up music files sold as Hi-res music I’m highly sceptical of it well most anything the industry pushes I’m weary of .
Back to the subject I did manage to borrow a DH silver sonic coax cable and compared it to the I2s and found little difference with the I2s I’m hearing it in low level information and perhaps a bit more realistic sounding human voice and vocalist however that was just one evening of listening .

When looking at dac cabling one has to also look at the given reclocking scenario that may be in play.

Quite a bit of the modern gear reclocks at one end of the transmission chain, or both.

this will narrow the differences in cables to some degree.

Then one is left with figuring out if the reclocking on board the given device ...is substandard or not. And whether that given reclocking is messing up cable qualities analysis, or not. Or by what degree, is the usual reality.

This is why one has to be careful in what one thinks they hear with a given cable/dac/source combination which is in play.

Beside the issue of whether the given listener has the mental/physical wherewithal to have discernment or preference for the given scenario that is at hand.

traditionally, relocking is not there, so older dacs with lower resolution can many times have more of the given cable’s intrinsic qualities come shining through.

This is due to the external coaxial cabling and system of transfer, was originally intended to never leave the confines of the given CD player. It was meant to be an internal hardware method of moving the bits off the cd proper and into the DAC chipset proper. It was never meant to be externalized into what it is today. Most importantly, the clocking data was embedded into the signal and transferred by the internal cable. Which is now an external coaxial cable. so the jitter of the transport/read... became the jitter of the dac. bit-word timing was determined by the cd read hardware and the spinning disc system itself. Coaxial is legacy hardware from the literal first days of digital audio on the CD format. Modern implementation has re-clocking at the DAC receiver end of things. If you read carefully, you see that the jitter of the cable, it's complex set of overall characteristics... comes into play in such a system of signal transfer.

Just...sort of ...restating the argument of the whole process, with regard to fundamentals.