@rauliruegas,
I wouldn’t call someone ignorant because he takes a different point of view than you do. There is no one "correct" way to set HTA. There is no consensus on what theoretical distortions can be heard. There’s no consensus as to whether a theoretical distortion on an outside groove is more or less disturbing than the same theoretical distortion on an inside groove. There is no consensus about the relative importance of HTA, azimuth and SRA. Though I try to set Lofgren A as close as possible, I am amused with all the talk here about extreme precision. One protractor, believe it or not, actually has a vernier gauge.
Case in point, HW of VPI, who I think has been accepted an a perceptive analog listener by the audio community, has written that he prefers to listen to an HTA setup that is quite far from the conventional alternatives. IIRC he prefers the 2 tangencies to be set: one relatively close in the inner grooves and one outside the grooves entirely. This yields high theoretical distortion numbers. Apparently, though, his hearing perception is most disturbed by the crossover from inside to outside the tangency, so he limits it to only one per record side. He also writes that regardless of the theoretical distortion measure, distortions nearer to the inside grooves are more disturbing to the listener.
As I wrote earlier, there being no correct HTA, each person is free to put the distortions where thy want. Since there is HTA distortion all over the disk, except at one or two grooves, your admonition: "enjoy the MUSIC NOT DISTORTIONS" is kind of ridiculous in this context.
I wouldn’t call someone ignorant because he takes a different point of view than you do. There is no one "correct" way to set HTA. There is no consensus on what theoretical distortions can be heard. There’s no consensus as to whether a theoretical distortion on an outside groove is more or less disturbing than the same theoretical distortion on an inside groove. There is no consensus about the relative importance of HTA, azimuth and SRA. Though I try to set Lofgren A as close as possible, I am amused with all the talk here about extreme precision. One protractor, believe it or not, actually has a vernier gauge.
Case in point, HW of VPI, who I think has been accepted an a perceptive analog listener by the audio community, has written that he prefers to listen to an HTA setup that is quite far from the conventional alternatives. IIRC he prefers the 2 tangencies to be set: one relatively close in the inner grooves and one outside the grooves entirely. This yields high theoretical distortion numbers. Apparently, though, his hearing perception is most disturbed by the crossover from inside to outside the tangency, so he limits it to only one per record side. He also writes that regardless of the theoretical distortion measure, distortions nearer to the inside grooves are more disturbing to the listener.
As I wrote earlier, there being no correct HTA, each person is free to put the distortions where thy want. Since there is HTA distortion all over the disk, except at one or two grooves, your admonition: "enjoy the MUSIC NOT DISTORTIONS" is kind of ridiculous in this context.