Thank you for joining the thread, Jonathan, and for providing the link. The text to the right of the last figure in the post Jonathan linked to is particularly relevant. Some excerpts [words in brackets are mine]:
Also, regarding Wyn’s simulations, I would reiterate a point I made in an earlier post:
Best regards,
-- Al
The resonant peaks have too high of a frequency to hear directly, but the magnitude of the peaks and their high frequencies are likely to cause decreased stability and increased distortion and noise in many phono stages. Some phono stages will be fairly insensitive to these ultrasonic peaks, while other phono stages will show bigger effects....
... No additional capacitive loading was used [in the simulations] at the phono stage input.
Comparing the simulations of the 3 cables shows that higher capacitances of the tonearm-to-phono stage interconnect cable demand lower resistor values at the phono stage input to control the resonant high-frequency peaks. This, in turn, reduces the cartridge’s dynamics and resolution, and can also worsen tracking ability.
Also, regarding Wyn’s simulations, I would reiterate a point I made in an earlier post:
Almarg 5-26-2018
I believe what underlies the differing perspectives between your [Wyn’s] analysis and what I, Atmasphere, and JCarr have maintained is that while your analysis focuses on rejection of RFI per se, as reflected in your choice of 10 MHz in the analysis, I and the others have focused on energy that may be generated by the cartridge itself, at and near the resonant frequency.
Best regards,
-- Al