Just to add to this discussion on space and warmth. I cited the example of the Nancy Harms track and the reverb. Via the direct connection it was clearly artificial reverb in a halo around the voice. The striking double bass was clear and direct but with no sense of body or presence in space.
However via the preamp the bass was palpably in its own space and had scale and heft, almost three dimensional, and the reverb on the vocal dropped back behind in space.
So ok maybe this was all studio trickery but via the preamp it sounded more like a group playing together in one space while direct it was just like a bunch of tracks on a mixer
Of course for recordings that were more honest like the jazz trio Bach the spatial cues and scale were all present via the preamp but much less distinct and appreciable in the direct connection
However via the preamp the bass was palpably in its own space and had scale and heft, almost three dimensional, and the reverb on the vocal dropped back behind in space.
So ok maybe this was all studio trickery but via the preamp it sounded more like a group playing together in one space while direct it was just like a bunch of tracks on a mixer
Of course for recordings that were more honest like the jazz trio Bach the spatial cues and scale were all present via the preamp but much less distinct and appreciable in the direct connection