Well, IC designers would generally consider an amplifier circuit that has a section with a 35dB resonance to be pathological- that is, basically a problem waiting to happen- unless, of course, the goal really is to produce an oscillator, or at least a marginally stable system. All it takes is a small amount of unwanted feedback due to parasitics - resistance in the ground, inductive coupling or capacitive- anything could do it- from a point where there’s enough gain and phase shift back to the resonance and all sorts of nasty things can happen. So, even though we can model all of these effects to a degree that the non-practitioner would consider to be near magical (yes, we can do EM simulations for complete circuits that are much more complex than an opamp, and capacitive/parasitic resistance runs are entirely routine) we generally choose, just for good practice, to eliminate any such effects as a matter of priority. Just try getting something like that through a design review.
Seemingly, the practice in audio design is somewhat different.
