Best sounding SACD's to show-off system


I like to show-off my Wilson Audio W/P6s and Krell 350mcx to friends and try to get them to understand the rush of high-end audio, and I have to some degree, but what SACD's out there that are recorded best! Something that will really make them melt with goose-bumps. Thanks!!
duanea
gpgr4blu
I hear that- I, too, have EJ 's 60s and 70s catalog on 1st pressing MCA/Polydor original CDs. These do sound excellent.  I only own one or two SACD titles, not enough, to compare every title counterpart.
Happy Listening!
treljathe SACD may not have reached the masses? Much depended upon location(s). Best Buy, in my area, always had a pretty good selection over several genres of music. Circuit City (remember this chain store?) dabbled in SACD, again, in my area. For those of the internet age, eBay offered a vast catalog (still does). I can report that these discs were much cheaper upon release in the late 90's to mid 2000's.
Mingus- Ah Um and Getz/Gilberto are excellent in any format.Happy Listening!
Biggest issue I see with SACD right now is cost of the media.
Just not going to find many buyers at $25 to $35 a go.
A shame as the few I own do sound nice but not THAT nice....
Just my opinion...
@jafant "treljathe SACD may not have reached the masses? Much depended upon location(s). Best Buy, in my area, always had a pretty good selection over several genres of music. Circuit City (remember this chain store?) dabbled in SACD, again, in my area."

You're exactly right.  Most likely, I bought most of my SACDs from Best Buy.  And at decent price.  We also had Circuit City also in my area, but I don't think I ever bought an SACD there.

What I mean about SACD not reaching the masses is that virtually none who actually (most likely, unwittingly) bought a hybrid got to actually hear the SACD layer, as they lacked the hardware that allowed it.  SACD not taking off drove me back to vinyl. I have a ton of CDs, but CD just cannot provide me with the same moving experience.

My best friend is a serious musician, got signed to a record deal by the Maloof brothers, and has a bit of interest from afar in high-end audio.  He'd never heard of SACD, and when I talked with him about it, the conversation normally went nowhere.  Once, we got into a little more, and he asked me how many bits SACD used.  The look on his face when I told him 1 bit was of utter scorn.  However, several months later, within 3 seconds of listening to the opening track of Getz / Gilberto SACD, the more than ubiquitous Girl From Ipanema, I literally saw his eyes pushing out and his jaw hanging