This was cool Michael just showed me a trick. He put on track 4 of Hindu Love Gods took an RT Square and folded it in half. He then put the Square on the ceiling about a foot in front of my head. The singer moved more toward me and the band fell back about 3' further than they were before trippy. He started changing the angle of that RT and the soundstage was able to be moved front to back at will. That's impressive. Each step MG takes is showing me how adjustable and flexible the soundstage is. Now that's walking the walk. It's great to make the connection between what the reviewers have said about Michael Green and the actual event live in real time. It's also been impressive that MG has not once changed the speaker positioning. Each step I'm taking with tuning is making more sense that we have control over our recordings being played. MG says the info is all there and our systems are the adjustable tool that shapes the recording into whatever we want if it's on the recording itself of course.
This is why every recording sounds different on every system. MG says "BINGO". The recording is the recording and the system is the tool. The content is all there but we are only playing the interpretation our system's setting gives us. This is making sense.