I didn’t mean to cast aspersions on the AT cartridges (as the happy owner of an ART9 myself). What I’m suggesting is that at this stage of the game the OP might want to be learning more about which parts of the system have the most leverage, and which kinds of effects, rather than getting lost in the wilderness of specific models and their various merits (as described on the interwebs). I guess it’s a version of the adage, "give a man a fish and he eats for a day, teach him to fish..." etc. First learn about the hinge points in the system and then make decisions about tubes, cartridges, phono stages and the like. I understand that it’s a bit of a Catch-22 because you have to make decisions about what to buy before you can hear the effects. But still - I’d say cartridge over tubes (if you have the disposable cash). I also agree that changing the phono stage could be helpful (and more important than the cartridge), but @joyofsound you did start out the thread by saying how much you enjoyed your new phono stage and its qualities.
Cartridge or Pre Amp
I recently picked up the Pro-Ject Tube Box DS and I am tickled pink on how warm and yet dynamic it remains. I’ve noticed that there seems to be some front stage darkness
on some older records. Nothing more volume can’t fix. Would upgrading my AT-ML150 cartridge or the pre amp would this phenomenon or it simply a characteristic of the production and pressing of its day?
AT-AL150/OCC Cartidge
Pro-Ject Tube Box DS
Bryston 4B3
Bryston Model T speakers
Simaudio MOON NEO Preamp
OPPO UDP-205
My setup:
AT-AL150/OCC Cartidge
Pro-Ject Tube Box DS
Bryston 4B3
Bryston Model T speakers
Simaudio MOON NEO Preamp
OPPO UDP-205
- ...
- 43 posts total
- 43 posts total