Jetter-to answer why Wolf is a troll, he has personally attacked me in this forum, denigrating my name, my heritage and I think my religion. He insults people and behaves boorishly. Besides that, his last comment on the medical danger of graphene use is comically impossible unless one ingests it through eating it or breathing floating graphene. Graphene in a binder is not going to kill you or make you sick. As stated earlier, it is being used in water desalinisation as a filter. Some experiments using graphene are being done for cancer therapy.
The Mad Scientist graphene preparation is reportedly oily or slimy and does not cure after application. I have not tried it. It may improve sound but I don't like what I heard concerning it's application characteristics. TC is based on decades old product which has been greatly improved through Tim Mrock's experimentation with several unspecified trade secrets he has added.
As to how important TC is in my audio systems, I place the Shakti Hallographs, Stillpoints and SR HFTs above it, with TC equal to the SR duplexes and fuses. That's in my systems. Taming my main music room's slap echo while eliminating unsightly acoustic treatments using the Hallographs and SR HFTs was of greatest importance. Taming mechanical resonances in my equipment was next. Altering the sound properties was third with TC and cable changes in that group, more like frequency and dynamic controls. As I stated in another forum, the room is 50% of the sound. Get that right and you can start to correct for electronic and vibration irregularities.
The Mad Scientist graphene preparation is reportedly oily or slimy and does not cure after application. I have not tried it. It may improve sound but I don't like what I heard concerning it's application characteristics. TC is based on decades old product which has been greatly improved through Tim Mrock's experimentation with several unspecified trade secrets he has added.
As to how important TC is in my audio systems, I place the Shakti Hallographs, Stillpoints and SR HFTs above it, with TC equal to the SR duplexes and fuses. That's in my systems. Taming my main music room's slap echo while eliminating unsightly acoustic treatments using the Hallographs and SR HFTs was of greatest importance. Taming mechanical resonances in my equipment was next. Altering the sound properties was third with TC and cable changes in that group, more like frequency and dynamic controls. As I stated in another forum, the room is 50% of the sound. Get that right and you can start to correct for electronic and vibration irregularities.