I've never had McIntosh gear, but I also have the Wilson Sabrinas and thought I'd put in my experience.
Currently, I'm driving them with an ARC Ref6 preamp and D'Agostino Master Classic stereo amp. This combination sounds fantastic and very musical.
HOWEVER: I recently got a Cary CAD300SEI integrated amp for my office setup (SET 300B tube based and 15 Watts per channel).
Had some of my friends over to hear it, so I brought the Cary and the Omega single driver speakers from my office to my main setup. On a lark, plugged in the Sabrinas and was amazed how well this amp handled the Sabrinas' difficult load (87 db sensitivity, 4 Ohm nominal load with a dip to 2.53 Ohms). Besides being able to drive them to a satisfying volume level, the midrange just came alive. Bass was not quite as controlled as with the D'Agostino, but still quite satisfying. The Cary is in for some upgrades to the capacitors and recitifiers, as well as adding a left and right pre-out for my JL Fathom subwoofer, and my plan is to use the Cary and sell on the ARC and D'Agostino.
My point is that you shouldn't get too wrapped up in the watts a tube amp is rated for - I suspect my satisfaction with the Cary is more due to current delivery than the watts it produces - but that you should get in some different types of amps in for a home audition if you can and see what floats your boat with your Sabrinas.
Currently, I'm driving them with an ARC Ref6 preamp and D'Agostino Master Classic stereo amp. This combination sounds fantastic and very musical.
HOWEVER: I recently got a Cary CAD300SEI integrated amp for my office setup (SET 300B tube based and 15 Watts per channel).
Had some of my friends over to hear it, so I brought the Cary and the Omega single driver speakers from my office to my main setup. On a lark, plugged in the Sabrinas and was amazed how well this amp handled the Sabrinas' difficult load (87 db sensitivity, 4 Ohm nominal load with a dip to 2.53 Ohms). Besides being able to drive them to a satisfying volume level, the midrange just came alive. Bass was not quite as controlled as with the D'Agostino, but still quite satisfying. The Cary is in for some upgrades to the capacitors and recitifiers, as well as adding a left and right pre-out for my JL Fathom subwoofer, and my plan is to use the Cary and sell on the ARC and D'Agostino.
My point is that you shouldn't get too wrapped up in the watts a tube amp is rated for - I suspect my satisfaction with the Cary is more due to current delivery than the watts it produces - but that you should get in some different types of amps in for a home audition if you can and see what floats your boat with your Sabrinas.