What is needed to build a tube amp and what non?


What it should it not contain the tube amp? IMO, NFB that press the scene of the sound sending the part of signal back into the previouse stage. Unique amp must be built lineary without NFB, /in some causes linearity doesnt mean best sound/. IMO, never use tone control that change the sound. If You need more bass, use big bass speaker, if You need more high freeq. - use sensitivity tweeters, if You need meedle fr. - use sensitivity fullrange not less 8 inch. IMO, Hi End is back proportional to the number of composite parts - use simple decisions with not cheep parts- cheep parts - cheep sound!. Every passive part change the sound. IMO, in SE iron for OT must be 10-20 time more than output power, /for 5 W never use 5 W OT, but 50-100W/. IMO, in power supply use kenotrones, that provide soft start and soft amazing sound. Every time use iron chock and hmmm will be far from Your ears. IMO, do not use iron enclosure that collect noises....But your opinions?
azazello
IMO, in PP when signal cross  0 between 2 output tubes, cause sharp and metal sound, that people sense like detail. And I think PP is not for HiEnd in more situation. PP is for driving with big power several speakers with different sensitivity....More suitable for HiEnd is SE with big OTs with it warm and fresh sound. Signal is amplified in one work zone. / I use SE EL11 Telefunken - 1 W in triod and I think this tube is the best for all the times/.
IMO, Im not a specialist, but I think the sound from closed box with or without whole is deformed by the compretion of sound waves and not be real. I think real sound, like from opera, simphon. scene is from open box, like horn or better oppen bufle with fullrange for 50-14000 Hz /can de added twiter for Hi freeq./ and bass speaker /together/ for 30-50 Hz. /I listen in my home fullrange with bass/.....I think closed towers  with more speakers are for regular public. Aftrer all this, I think, HiEnd is something High....acc. my criteria...