Audible is actually a bit of an understatement. Its easily comparable to an amp or pre-amp change sort of difference. In fact the level of improvement it brings to the table makes it a most effective cable nay-sayer-slayer.
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Regarding the mention of digital interconnections, one thing that theory can predict with certainty is that doubling a digital cable will result in a substantial mismatch between the characteristic impedance of the cable and the 75 ohm or 110 ohm impedance (for coaxial S/PDIF or balanced AES/EBU, respectively) of the components being connected. That in turn can be predicted with certainty to cause or increase signal reflection effects at the high frequencies that are present in digital audio signals, and consequently to degrade waveform quality to some degree, in some manner. Which can certainly be expected to result in sonic differences in many and probably most systems, in part by contributing to timing jitter at the point of D/A conversion. And while those differences might turn out to be to be preferable to some listeners with some systems and some recordings, they would constitute a reduction in how accurately the recordings are being reproduced. An interesting excerpt from this paper by Steve Nugent of Empirical Audio:
Regards, -- Al |
jayctoy, yes, the effect is cumulative with successive additions. Agreed; the sense of the music being more lifelike, whether a studio or live recording, is powerful. The characteristics of a particular interconnect's properties is intensified and the entire system is changed profoundly. The experience is much more convincing as to recreation of a real event. |
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