wcss,4 day later of reading your thread. Lots of info. I like it. I also am down here in Florida and WAS a audio tester just like you.
Anyway..... D'Agostino Progression Monos I think this is the direction in Amp study. To me, the original Krell designer and his amplifiers are more on the side of a hard edge over Pass Labs. Not sure, but you may like that type of presentation over the Pass Labs products. I own three vintage Krells that have been recapped and still adore the harder edge and slam that they deliver. Just my opinion, of course. I use a tube preamp with 4 6NS7 tubes along with the Krells. And the preamp also allows for Passive output and JFET output with a touch of the remote control. The Tube output is almost always my choice, but with some material.... I can see more transparency with the other outputs. The AR REF10 is a really good choice with the SS Amps that you are testing, but there are others as you have seen with the Luxman that bring sound that is different and exciting. The D'Agostino Progression Monos is my best choice to find the power and slam with musicality that you and searching for. Until you try them, I'm not sure you have exhuasted anything made on this side of the Atlantic.
It was so enjoyable to read thru you travels with the amplifiers. I have always wanted to experience other amplifers. Amplifiers are the substance of a good SOTA system. Without a really good high current SS Amp, you never know what your speakers can do (unless you have efficient ones that can handle SET OTL amplifiers.... Now that's another avenue. I spent 4 days soaking up every word you typed here. Freakin' awesome stuff. Had a Mark Levinson driving my Martin Logans. I thought that I would have a backup to one of my Krells. Oh No. It did not perform in a way that was conductive to the ML speakers. The soundstage was huge, but the presentation was vieled compared to the Krell. I can only say that the amplifier is one of the most important pieces to the puzzle of State of the Art music reproduction.
Lastly,The company REL has been able output just about any speaker to output it's best. 2 RELs in pairs are mandatory with any Martin Logan speaker other than the Neoliths. You tested the ML 15A..... The 15A will sound an order of magnitude better with a couple of REL S5s or G1 Mk2s on the inside of them. I know you said earlier that you want nothing to do with subs, but there are $100,000 speakers out there that sound better with RELs. I know this sounds like a fanboy, but any other brand cannot bring life to a speaker like RELs can connected to the amplifier and running in stereo. I read that you bought a REL at one time, but you need 2 to play the game.
Should you buy the Neoliths..... Oh yeah!! But to revisit the 15A or the CLX Art is in order with an addition as I requested with the RELs sitting beside them.
Test on my friend. I'm 61 and still get really pumped with high end audio. I have the ML Monoliths with 2 REL S3s and the Krell amp putting about 550 watts/RMS per channel at 4 ohms.Dennis
Anyway..... D'Agostino Progression Monos I think this is the direction in Amp study. To me, the original Krell designer and his amplifiers are more on the side of a hard edge over Pass Labs. Not sure, but you may like that type of presentation over the Pass Labs products. I own three vintage Krells that have been recapped and still adore the harder edge and slam that they deliver. Just my opinion, of course. I use a tube preamp with 4 6NS7 tubes along with the Krells. And the preamp also allows for Passive output and JFET output with a touch of the remote control. The Tube output is almost always my choice, but with some material.... I can see more transparency with the other outputs. The AR REF10 is a really good choice with the SS Amps that you are testing, but there are others as you have seen with the Luxman that bring sound that is different and exciting. The D'Agostino Progression Monos is my best choice to find the power and slam with musicality that you and searching for. Until you try them, I'm not sure you have exhuasted anything made on this side of the Atlantic.
It was so enjoyable to read thru you travels with the amplifiers. I have always wanted to experience other amplifers. Amplifiers are the substance of a good SOTA system. Without a really good high current SS Amp, you never know what your speakers can do (unless you have efficient ones that can handle SET OTL amplifiers.... Now that's another avenue. I spent 4 days soaking up every word you typed here. Freakin' awesome stuff. Had a Mark Levinson driving my Martin Logans. I thought that I would have a backup to one of my Krells. Oh No. It did not perform in a way that was conductive to the ML speakers. The soundstage was huge, but the presentation was vieled compared to the Krell. I can only say that the amplifier is one of the most important pieces to the puzzle of State of the Art music reproduction.
Lastly,The company REL has been able output just about any speaker to output it's best. 2 RELs in pairs are mandatory with any Martin Logan speaker other than the Neoliths. You tested the ML 15A..... The 15A will sound an order of magnitude better with a couple of REL S5s or G1 Mk2s on the inside of them. I know you said earlier that you want nothing to do with subs, but there are $100,000 speakers out there that sound better with RELs. I know this sounds like a fanboy, but any other brand cannot bring life to a speaker like RELs can connected to the amplifier and running in stereo. I read that you bought a REL at one time, but you need 2 to play the game.
Should you buy the Neoliths..... Oh yeah!! But to revisit the 15A or the CLX Art is in order with an addition as I requested with the RELs sitting beside them.
Test on my friend. I'm 61 and still get really pumped with high end audio. I have the ML Monoliths with 2 REL S3s and the Krell amp putting about 550 watts/RMS per channel at 4 ohms.Dennis