Thiel Owners

^Proper driver integration and time synchronization for most Thiel’s works best at least 8’ away for a listener at typical seating height.

i have played with it over the years and found sitting with my ear about 4" below the tweeter and about 7.5'-8' away  from the drivers works best

Prof I am going to miss your 3.7-2.7 comparisons! My 3.7 which were also purchased through Rob are starting to morph, WOW! I have gone back many times to reread everyone's comments and each time i learn and discover more about these fine instruments and our obsession with them.   

Mr Tom Thiel when are you going to work on 2.7 or 3.7 you can put me on the short list ;)   

Yes I am absolutely smitten with my Thiels and will leave them for my kids one day, but here is the Taboo question what is another speaker you would want to own. Maybe with a diffrent trait? I have found I love hearing the Thiels on diffrent gear and switch back a forth. With that i would love to know what this group would choose as an alternate speaker. Here is list I have been playing with  PMC, ATC, Devore, ProAc, Vandersteen.

Dan      

Most of you have identified phase coherence as a necessary ingredient for "reality music", rather than the hi fi approximation. As far as I know, Vandersteen is the only maker other than Thiel who produces actual minimum phase speakers. Their bias is towards "easier", less "incisive", but they are very good. Please advise of any of these other makers are phase coherent transducers.

Dan - the eventual list includes the x.7s. But they are so much more current that I feel obligated to take on older models first.

I have commented previously on listening position. I understand that any particular room and preferences may dictate many different positions. Crossover frequencies x propagation lobing patterns require those distances for proper integration. Anything closer or higher or lower may produce pleasant effects, but will trade off against some of the factors of fidelity.From a scientific standpoint, there is one position that replicates the design goal of minimum phase and flat tonal balance with optimum transient response. That position is minimum 2.5 meters (100"), with 3 meters (10') being a little better with an ear height of 3'±2". The more the distance, the less critical is ear height as well as toe-in.

The coincident upper driver of the x.7s greatly reduce the distance requirement.

Tom

Dunlavy, Duntech, Green Moutain, Meadowlark, Quad 63’s +>, jump to mind.