Wilson Audio Sabrina . . . I'm smitten. Should I consider others?


Went on a small audition trek last week and heard the following:

Tekton Double Impact SE (I was curious based on the posts/comments)
Magico S1 MKII
Magico S3 MKII
Devore Fidelity Orangutan 0/96
Wilson Audio Sabrina

The Wilson Sabrinas were not initially on my list, but when I stumbled across them while searching for Focal Sopra 2s, I couldn't resist.  The Sabrinas were very impressive.  In fact, after hearing the Magico S1 and S3, I went back to hear the Sabrinas a second time to confirm what I had heard.  They were initially driven by the ARC Ref6 preamp and the new ARC $30K monoblocks, but the second trip I asked if they could be driven by more economical equipment, so they used the LS28 and VT80.  The source was the dCS Rossini both times.  Because there was no A/B comparison of equipment, I really didn't notice any drop off in performance.  

The Sabrina's price point is my upper end, but I'd like to achieve a no stone unturned level of search/comfort before I pull the trigger.  Most brands are not easily accessible in Kansas City, but I'm willing to make the effort if justified.  Are there any other loudspeakers I should consider in this range?  I listen mostly to older rock, blues, jazz, and female vocals  Streaming with something like an  Aurender A10 will be my primary source.  My goal is to decide on the loudspeakers for this system, and work backwards into the components.  That'll be a future question.  Appreciate your time and help.
kcpellethead
The most recent great sounding speakers I’ve owned do measure perfectly flat, if measuring the outside cabinet walls, all of which are perfectly flat except the speaker baffle that has the speakers stuck into it...flat...all flat. Note that the curved cabinets of some speakers are not flat...they measure more curvy than otherwise.
The plot thickens a bit.  Heard the Sabrinas again (fourth time) at the original audio dealer. They haven't lost anything for me.  Also auditioned the Revel PerformaBe F228BE elsewhere. They surprised me (in a good way). Visited Legacy Audio to hear the Focus XD.  Instead heard the Focus SE and really liked what I heard.  Despite having some internet issues, the Focus sounded promising, and Bill and Brice were great.  Returning home, I researched Legacy Audio and Focus.  Most say to hear/consider the Aeris instead.  I should have been better prepared.  So, here's what I've now listened to, ranked favorite to least, and what I'd like to hear before a final decision is made:

Wilson Audio Sabrina

Legacy Audio Focus SE

Bowers & Wilkins 802 D3

Joseph Audio Perspective

Magico S3 MKII

Vandersteen Quattro CT

Revel PerformaBe F228Be

Magico S1 MKII

DeVore Fidelity Orangutan O/96

Tekton Double Impact SE


Left to hear:

Legacy Audio Aeris

Magnepan 20.7

Joseph Audio Pearl 3

Focal Sopra 2 or Sopra 3


Any constructive input is welcomed.  I really want to get this right.  I'm not going to rush.
That you preferred the B&Ws to the Perspectives or Quattros has me a little stunned.  I was able to listen to several B&W and JA speakers in the same system, and there wasn't anything the B&Ws did better than the JAs, especially imaging and soundstage.  Obviously we all hear differently and there are likely lots of variables here, but wow.  Be very interested in your impressions of the Pearl 3s.  Only heard them at shows, but they're one of my very few end-game speakers.  You've got a really great list of speakers here, and I look forward to any other observations you have. 
@soix 

I completely understand what you're saying.  First, I'm no audiophile.  I don't know exactly what I like until I hear it.  Also, I'm learning to be a little frustrated with some auditions.  It's clear that some folks know exactly what to do and how to do it, and others do not.  As with many things in life, a good audition of a less product goes along way compared to a bad audition of a good product.  When I started this, I really didn't know what to expect, and while I'm a long way from having a great understanding of it all, I've learned just enough to know when it's a good audition.  
more variables and auditions are not going to help, especially with no reference back to live music. Nobody got fired for buying Wilson and it sounds like you have a willing and supportive dealer....