Talk but not walk?


Hi Guys

This isn't meant to start a fight, but it is important to on lookers. As a qualifier, I have my own audio forum where we report on audio issues as we empirically test them. It helps us short cut on theories and developing methods of listening. We have a wide range of systems and they are all over the world adding their experiences to the mix. Some are engineers, some are artist and others are audiophiles both new and old. One question I am almost always asked while I am visiting other forums, from some of my members and also members of the forum I am visiting is, why do so many HEA hobbyist talk theory without any, or very limited, empirical testing or experience?

I have been around empirical testing labs since I was a kid, and one thing that is certain is, you can always tell if someone is talking without walking. Right now on this forum there are easily 20 threads going on where folks are talking theory and there is absolutely no doubt to any of us who have actually done the testing needed, that the guy talking has never done the actual empirical testing themselves. I've seen this happen with HEA reviewers and designers and a ton of hobbyist. My question is this, why?

You would think that this hobby would be about listening and experience, so why are there so many myths created and why, in this hobby in particular, do people claim they know something without ever experimenting or being part of a team of empirical science folks. It's not that hard to setup a real empirical testing ground, so why don't we see this happen?

I'm not asking for peoples credentials, and I'm not asking to be trolled, I'm simply asking why talk and not walk? In many ways HEA is on pause while the rest of audio innovation is moving forward. I'm also not asking you guys to defend HEA, we've all heard it been there done it. What I'm asking is a very simple question in a hobby that is suppose to be based on "doing", why fake it?

thanks, be polite

Michael Green

www.michaelgreenaudio.net


michaelgreenaudio
Excellent, excellent....and this just in from Audioquest!

Directionality: It's All About Noise

07.01.16
If you’ve ever wondered about the arrows on AudioQuest cables, read any of our educational materials, or merely followed any of the online chatter regarding our products, perhaps you’ve wondered what this “directionality” thing is all about.

There is the widely accepted version of directionality: In most audio-grade shielded interconnects, as compared to standard coax, negative has its own internal conductor and the metal shield is attached to ground at only one end, thus defining the cable’s directionality. Many cable manufacturers end their exploration of directionality there, going only as far as to mark their cables for directionality based on the relationship of shield to ground, but altogether neglecting conductor directionality. Because we believe in directing noise to where it can do the least harm, we, too, believe in the advantages of controlling for the attachment of the shield. In fact, long before we controlled for conductor directionality, AudioQuest interconnects were also controlled for direction based on the relationship of shield to ground.

Over the years, our understanding of conductor directionality and its effect on audio performance has steadily evolved, growing stronger and more complete. While we’ve always been keenly aware that directionality plays a significant role in the overall sound of any hi-fi system, we couldn’t completely explain it. This was okay: We trust our own ears and encourage listeners to do the same. The test is easy enough: Simply listen, then reverse the direction of the cable, and listen again.

In one direction, music will sound relatively flat and a little grainy, as though being forced through a screen door. In the opposite direction, the obstruction is removed and music will be communicated with a natural ease, depth, and an open invitation to pleasure. When presented with a cable whose conductors have been controlled for the correct low-noise directionality, a listener feels a sense of comfort and relief: Ahh…Music!


A reduction in grain structure along with an increase in grain directionality will reduce shear wave interfererence entering the amplified signal path. Some materials have a lower prefered shear velocity than others. 
Fuses are a part of the path so the purity of the conductor as well as the solder and its melting point and residual leftovers increase resistance and therefore audible change in direction from end to end.Tom
FWIW, my opinion regarding the explanations of alleged wire directionality that have been proffered by Wireworld and Audioquest in their marketing literature:

When it is not readily possible to determine a quantitative threshold separating what may potentially be audible in some systems from what is unquestionably insignificant there is essentially no limit to the explanations that can be conjured up for a claimed sonic effect.

IMO. I don’t envision having any further comments on the subject.

Regards,
-- Al

almarg
IMO. I don’t envision having any further comments on the subject.

Regards,
Al

>>>>That seems highly unlikely. You are the self proclaimed Damage Control Officer for fuse and wire directionality. No sacred laws of science shall be abrogated on your watch, sir!

Regards,
Geoff