I don't know a thing about autoformers. I only post to say Roger Modjeski/Music Reference is the real deal...I would tend to believe whatever he posts here, based on past experience.
In the last 1980s I had 2 X RM-9s. If memory serves, I bought each one gently used. I used one of them for the mids/upper sections of a pair of Vandersteen 4s. The subs were powered by a 200 wpc SS amp, and the crossover duties were handled by Vandersteens electronic crossover.
The RM-9 w/EL34s had a really lovely sound. 100wpc output was more than sufficient for my needs. That was an amazing sounding system. Still, I tried to make it better: I replaced the EL34s w/KT88s, resulting in a little more power and a tad more guts in the low mids (though perhaps a tad less refinement vs EL34s.
Then I somehow learned that Roger would perform "triode mods" on the RM-9. This consisted on adding a switch for each output tube socket, permitting it to be switched to triode at the cost of 1/2 power. I had this done, switched all those sockets to triode, and went straight to heaven. That made a great-sounding amp into something really special, and the Vandy's fully conveyed that triode magic.
I sent my 2nd RM-9 to Roger for the same mods. When I got it back, I planned to use both RM-9s, each bridged for mono output--but life intervened and it never happened. Both RM-9s have been in storage since 1991, along w/the Vandersteens and other things. My little "time capsule."
Roger makes terrific amplifiers and really knows his stuff...
In the last 1980s I had 2 X RM-9s. If memory serves, I bought each one gently used. I used one of them for the mids/upper sections of a pair of Vandersteen 4s. The subs were powered by a 200 wpc SS amp, and the crossover duties were handled by Vandersteens electronic crossover.
The RM-9 w/EL34s had a really lovely sound. 100wpc output was more than sufficient for my needs. That was an amazing sounding system. Still, I tried to make it better: I replaced the EL34s w/KT88s, resulting in a little more power and a tad more guts in the low mids (though perhaps a tad less refinement vs EL34s.
Then I somehow learned that Roger would perform "triode mods" on the RM-9. This consisted on adding a switch for each output tube socket, permitting it to be switched to triode at the cost of 1/2 power. I had this done, switched all those sockets to triode, and went straight to heaven. That made a great-sounding amp into something really special, and the Vandy's fully conveyed that triode magic.
I sent my 2nd RM-9 to Roger for the same mods. When I got it back, I planned to use both RM-9s, each bridged for mono output--but life intervened and it never happened. Both RM-9s have been in storage since 1991, along w/the Vandersteens and other things. My little "time capsule."
Roger makes terrific amplifiers and really knows his stuff...