Help me pick from my sub-$1200 shortlist


Alright. Here's the shortlist. Let's get your opinions:

  • KEF LS50
  • Sonus Faber Venere
  • Monitor Audio SIlver 100's (haven't tested yet)

And yes I know some of these retail over $1200, but for those I'm going to look for used or be patient for sales

I tested the SF's and the KEF's the other day. When at the store, I liked the KEF's better; I felt like there were more punchy mids, more contrasting dynamics. But having since listened I've been thinking more about the SF's and feeling like maybe I actually long term enjoyed their more subdued tone more, factoring in the fact that I would be able to play with them/my setup in my own apartment more. There was an incredible clarity with them nonetheless that I really loved.

I'm mostly doing vinyl and digital music, less classical/jazz, more rock, country, metal, experimental, but also quieter stuff too. Running out of a Cambridge Audio Azur 551R.

Other speakers I've had on the longer list, but might not be able to check out are the Revel Concerta2 M16, PSB Imagine B, and Paradigm Signature S2; so if you feel strongly on those please let me know


gravyrobbers91
Another vote for the Vandersteen VLR. Earlier I suggested another bookshelf speaker system and had totally forgotten about the VLR. And I own Vandersteen Treo Ct's! I see you are leaning towards the Kef LS 50's. I think they are good speakers, but when a dealer I know hooked them up side by side with the VLR's, well, the VLR's just sounded better. The dealer just smiled and said he knew which speaker I would choose. Ultimately your call. Just my opinion.
Cheers,
Silverline Preludes are outstanding and somewhat unique with a D'Appolito array of 2 3.75" woofers around a dome...all aluminum/magnesium (unique to Silverline), and they kick it. Skinny masterpiece tower speaker. I only replaced mine as I wanted the mega efficiency of Klipsch Heresy IIIs, and may reluctantly sell 'em...haven't yet...
One thing to mention... when looking at speakers consider who is responsible for engineering/designing them. There are very well known and expert people who understand how to do this. Andrew Jones, Richard Vandersteen, Jack Oclee-Brown, Vince Bruzzese, Bill Dudleston, John Dulavy, Kevin Voecks, Dean Hartley, just to name a few. Some of these guys have dedicated time and resources to great budget projects that led to awesome success.
This thread has gotten me so much farther down the rabbit hole I was already running down, and I love it.

The thing that caught me most by surprise is that no one has even acknowledged the Monitor Audio Silver 100’s I had on the list. All the reviews I read on them have been phenomenal, but do people here generally not care for them/find better options in their price range?

I’m seriously effing intrigued by the Philharmonitors. I can’t tell though - Which is a "newer" model - the "New Philharmonitors" or the "BMR Philarmonitors"? And which is, at least on a technical level, better? Is one designed to be more compact or affordable than the other or is the newer one simply designed to be an improvement on the older one?

Also seriously intrigued with the Vandersteens. I’m definitely going to listen to some of those, and for the Philharmonitors, since all I’ve been reading is that Dennis is extremely responsive, I might just reach out to him and see if he knows anyone in my city (it’s a big city) that might be willing to open their home to me for an hour or so to check them out.
ALSO for people saying I'm going to need more power if I get the LS50's. I just jumped the gun on a Hafler DH-220 on craigslist so I think that should do me good if I go with those.