Kandace Springs - Indigo, the long awaited sequel to Soul Eyes


Oh well, the title of this OP is misleading as Indigo would not be considered a sequel.  This is Springs carving out a style to set herself apart.  Let's face it there is a rich stable of young female songstresses.  Krall, Jones, Souza, Mardot and numerous others are well known to many.

I first learned of Kandace thanks to an Audiogoner.  Thanks again!  I've had her first offering, "Soul Eyes" on CD for months and I don't think I've yet to place it in the CD rack.  I just keep wanting to listen to it.  Soul Eyes has a "sound" not unlike most of the aforementioned ladies.  Indigo is stylistically more diverse.  In that sense it is interesting for its production values.  The engineering of each song has its own sound.  Some cuts have a healthy and effective use of reverb where others are more matter of fact and dry.  

Instincts are one quality that most successful people follow to positive outcomes.  "Soul Eyes" is great for the bluesy jazz album that it is with very tastefully written melodies and mature lyrics.  "Indigo" is a collection of songs of very different musical styles and they all seem to work.  Good instincts!  The song "Love Sucks" starts off with an instrumental sound like the famous dance scene from "Pulp Fiction" with Travolta and Thurman dancing at Jack Rabbit Slims.  Fun stuff.  Kandace has musical flex. Roberta Flacks iconic "The First Time Ever I Saw Your Face" is performed as straight as an arrow.  No pretense.  She just sings it beautifully not trying to recreate it, but rather to honor it.

 I'm gonna keep loving "Soul Eyes" but "Indigo" is sticking around and will be in residence on my turntable for a while as I continue to appreciate it fully.

Lest I forget, both albums on Blue Note are lovingly recorded.  "Soul Eyes" is a bit thicker sounding instrumentally whereas "Indigo" is more open and sparser.  Again, both work.  Enjoy!
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@mac48025. Wow!  I am in your debt.  Just finishing my second listen to Imelda May's "Life, Love, Flesh, Blood".  I understand from what I've read about her, that this album is a stylistic departure for her.  From what I'm hearing she is clearly on the right path.

 These songs could easily find their way into a Quentin Tarantino movie soundtrack.  They have a soulfulness.  They are very personal.  Each song reveals a different aspect of her views about life.  Terrific lyrics, great poetry with genuineness.

 The music is the perfect vehicle to communicate her message.  Nice variety to the songs, but the album has a cohesive feel and sound to it.  You can clearly hear T. Bone Burnett's influence in the production.  BTW...she has a terrific voice with power and delicacy at the same time. WOW!

The cherry on top is the beautiful sound quality.  Although lyrics are included, it is easy to follow the stories she tells.  A+
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