Hi,
Does anyone here have any experience with clear day cable interconnects used as phono interconnects? They are purposely made unshielded and I have an opportunity to purchase a pair with ETI Silver Bullet rca jacks. I have never seen a bad review on them even though they use proprietary solid silver wire and are unshielded.
Also, can anyone here compare/describe the quality of cable and sound of the Delund interconnects and the Amadi Maddie Signature Interconnects?
@ asahitoro, thanks for the post. I appreciate it as I’m getting ready to spend some hard earned money on 2 pair of interconnects. 1 pair from the turntable to the tube phono preamp and 1 pair from the tube phono preamp to the auxiliary jacks. And please, only comment if you have experience with the cables/interconnects mentioned above as ALL silver cables/interconnects are not alike, as some people like to say...
Does anyone here have any experience with clear day cable interconnects used as phono interconnects? They are purposely made unshielded and I have an opportunity to purchase a pair with ETI Silver Bullet rca jacks. I have never seen a bad review on them even though they use proprietary solid silver wire and are unshielded.
Also, can anyone here compare/describe the quality of cable and sound of the Delund interconnects and the Amadi Maddie Signature Interconnects?
@ asahitoro, thanks for the post. I appreciate it as I’m getting ready to spend some hard earned money on 2 pair of interconnects. 1 pair from the turntable to the tube phono preamp and 1 pair from the tube phono preamp to the auxiliary jacks. And please, only comment if you have experience with the cables/interconnects mentioned above as ALL silver cables/interconnects are not alike, as some people like to say...