Please tutor me on some integrated amp basics.


I’ve recently purchased Magico A3 speakers and a VPI Classic 2 SE turntable with an Ortofon Black 2M moving magnet cartridge. I have a Marantz SA 8005 CD/SACD player to play the few (maybe a hundred or so) CD’s in my possession.
I’ve mostly vinyl albums and no streaming sources. I’m next going to upgrade my old amp/preamp purchased back in the late 70’s with a new, probably integrated, one and am starting to do some research.

Here’s where I need some tutoring. A lot has changed since the seventies with the advent of digital technology. As well as I need to learn more about amplification components in the high end of audio technology. I keep running across terms I don’t understand. I’ll give you a list and if someone would be kind enough to explain these basics I’d be obliged.

For instance I was reading about the Hegel H360 integrated amp that Magico’s Alon Wolf recommended for their A3’s. The review mentioned they were a Class A/B amp, another person commented Class A’s were better, and a third person said he didn’t care for Class D amps. What do these classes signify? 

A second question is about DACs. I generally understand their purpose of the DAC, converting a digital to an analog signal. However my only digital device, the Marantz SA 8005 already has a DAC, ostensibly of good quality. The turntable ’s Ortofon cartridge would not need to play through a DAC, I presume. Would I bypass the CD’s players DAC if I purchase the higher quality Hegel H360 integrated amp?. Or could I find an equivalent integrated amp without an integral DAC?

On the other side of the equation I understand the turntable’s cartridge cannot play through the Hegel without first going through a phono stage. My old Phase Linear 4000 preamp you just plugged the turntables RCA cables into the back of the preamp and you were done. What’s that about? Do they make equivalent integrated amps to the Hegel H360 with integrated phono stages already in place, so I can just plug my turntable in as I’ve been able to do before. The amps don’t seem to be well integrated at all if you have to add a pricey phono stage to make them work, and end up having an extra DAC. That’s just me whining.

Third question is what are monoblocks, how are they used, and what are their advantages to a system? They were used at one of my speaker auditions.

I figured out the answer to what amplifier damping was myself, so I’m sparing you that one, but what does the term impedance mean? I keep coming across that.

Thank goodness I don’t have to figure out the cabling nightmare yet. Thanks for any help.

Mike
skyscraper
ieales,

"Don Juan DeMarco - Soundtrack - A&M"
Wow! I thought I bought the only copy.
glupson, is Don Juan DeMarco a reference?

======================================
WARNING NOTE: Any disc that has been reissued / remastered is as likely as not to be inferior to the original. Friends and I have sent our various versions around without comments and then compared notes. Some of remasters are terrible.
======================================

RE coat hangers - we used solid 10ga THHN vs Monster Pro at AES. Half the listeners could not tell. Some could tell better than 85% of the time. Coat hangers have a different dielectric than THHN, so probably sound different and they’re a bitch to strip ;-)

RE Spades - Unless binding posts are cinched down with a nut driver, they will loosen. That being said, if gear swapping banana’s are quicker. There are locking bananas, but they have a smaller contact area. ALL connectors sound different. The truly commitable solder everything.

RE Luxman  speaker cable - shame on them. Parallel conductors increase inductance. Shame on them, they should be twisted. >:0

@geoffkait Some Monster knockers couldn’t tell the difference between cables, tube or solid state amps or absolute polarity. Were you at AES in LA? ~<:-P

Ieales

@geoffkait Some Monster knockers couldn’t tell the difference between cables, tube or solid state amps or absolute polarity. Were you at AES in LA? ~<:-P

Been to shows as exhibitor many times. In some of the best systems ever assembled my mankind. My impression is people generally have no idea what the heck they’re listening to. And even if they do, that ceases after about an hour of having their ears assaulted by the horrible sound. I’ve never seen so many dazed and confused people at one time. And they were the industry folks. Not to mention most rooms at shows sound pretty terrible anyway, especially Day One, while folks have some chance of hearing something. I don’t believe AES has any real audiophile cred, nor did they ever. Maybe it’s just me. 😳 I wasn’t at AES in LA but I was at the Coke Convention back in 1965. All in favor of static displays, say aye. Aye!

geoffkait - Pop quiz - are coat hangers directional? answer at 11

glupson - It depends on the wood they are made of and how it was cut.

>>>>>Did you just cut one?