In the studio the microphone has no idea whether a performer is seated, standing, or lying on the floor. The engineer also has no way of encoding vertical information into the recording. They have pan, which will locate an instrument from left to right, and will use track levels and reverb often times to give the impression that instruments are located closer or farther away. But to the best of my knowledge, there is no way to encode vertical information into a recording.
Interesting. I must admit that I am not competent to answer such a question but my ears can hear 3d imaging when it is present. My question is How does this explain single mike recordings? I am specifically thinking of Chesky Records - The Ultimate Demonstration Disc - Track 23 - Festival to Deum.
I am not trying to be a smart ass in any way. When I think of clean single mike jazz or similar recordings the soundstage can be amazing.
I can also tell you that when this adjustment was made, it locked everything in.
Interesting. I must admit that I am not competent to answer such a question but my ears can hear 3d imaging when it is present. My question is How does this explain single mike recordings? I am specifically thinking of Chesky Records - The Ultimate Demonstration Disc - Track 23 - Festival to Deum.
I am not trying to be a smart ass in any way. When I think of clean single mike jazz or similar recordings the soundstage can be amazing.
I can also tell you that when this adjustment was made, it locked everything in.