How do you train your ears?


How do you educate yourself to refine your ability to listening to music and being able to tell about the details of the sonic nature?
I guess, first off, one has to listen to lots of music on lots of different systems, and catch intrinsic details and subtle differences. Knowing basic music theory and being proficient in one or more musical instruments would also help.
However, simple listening may not improve one's ability unless the listening practice is guided by educated practices that have been exercised by experts and those with golden ears.

How have you refined your hearing/listening capability?
Any good source you know of to recommend to novices and enthusiasts?
128x128ihcho
Shadorne is basically correct. I did indeed have in mind books on music as opposed to something like the Alton Everest book. However, I will say that ear training will only help critical listening to equipment, etc., as this kind of listening should still be based on what you are hearing (or not hearing) in the music, and how well you can or can't hear it. Any formal ear training course at a university music school will include some basic coverage of acoustics, and so do many books aimed at music lovers and/or amateur players. As far as audiophiles go, different folks have different sonic priorities in their systems, and some of us professional musicians find some audiophile's priorities to be very strange indeed.... but to each his own. There is plenty of equipment out there designed for all sorts of tastes.

As to T bone's question on which books would be worthwhile reading, this would depend on what one would want to learn more about. There are many different types of books out there -as Shadorne says, it's a massive subject. I think any audiophile who wants to learn more about how music is constructed, etc. cannot do better than the Aaron Copland book I previously mentioned - What To Listen For In Music. It covers many different topics, and has great suggestions for listening and further study. Learning more about the subjects covered in that book will greatly help any audiophile refine their listening, and therefore their discriminating tastes. There are chapters on the four basic elements of music - rhythm, melody, harmony, and tone color - and other chapters on subjects like texture, structure, forms, the creative process, the relationships between composer/interpreter/listener, etc. It would be a great starting point for anyone wanting to learn more about music of all types, not just classical. There are also alot of different books out there on music appreciation, music history, music theory, etc, far too many to mention here. If anyone has a specific interest that they would like to pursue, feel free to send me an email through audiogon and I would be happy to help where I can.
i just sat 8th row center and heard andre watts play rachmaninov 2 concerto with symphony. i never felt lacking in ear training as i sat there with tears in my eyes. if you 'get' music... dont fret the rest unless you want to write ads, then just open a wine tasting book and steal phony phrases like most audio
golden ears experts' do!
Ok Live music is not your stereo! I am a professional musician and an audiophile and I can tell you that imaging, depth, and positioning are all tricks and trade of stereo. Never have gone to a live show and closed my eyes to see if I could place the singer in the middle!!! That is phase tricks done by producers not a live show but that being said you can go to some small venues and get a feel for what real instruments, natural reverb, and vocals sound like. Many people need to go hear real vocals after all the systems Ive heard that sound nasaly and they just gushed about how "natural" the vocals sounded! Huh...go figure. Your stereo will never sound like a live show but it does a great job trying to and its so much fun listening to all the phase tricks done to make things sound center, left, right, or even back or forward, once you realize that you wont be so uptight about your rigs sound.